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THE QUIET BOY

An entertaining concoction with plenty of twists on the way to a nicely unexpected resolution.

Science fiction, the paranormal, cults, and oddball characters collide in this amiable thriller.

Something very bad has happened to young Wesley Keener. He’s cracked his skull open—just how is a matter requiring some fact-finding—and now he’s empty of everything but a bright light, something like the trunk of the car at the center of Alex Cox’s film Repo Man. “Hollow….They hollowed him out.” So thinks Jay Albert Shenk, a Los Angeles ambulance-chaser attorney who sports a tiny ponytail and a generally good-natured attitude, turning competitive only when he’s up against lesser lawyers. He’s a fine and mostly honest fellow in whom Winters, an expert practitioner of odd scenarios in books such as Underground Airlines (2016), invests much attention and character development. In company with his adopted son, Ruben, a grocery-store clerk—born in Vietnam, raised Jewish, and nicknamed “Rabbi”—Shenk tries to ferret out what it was, exactly, that happened to poor Wesley while filing a medical malpractice against the doctors—the “they” in question—who treated him once he was rushed to the hospital. “Shenk had been doing this for nineteen years…and he could give you the lowdown on every sawbones, on every hospital and clinic and urgent care in Southern California,” Winters writes. The doctors range from weary to evasive to self-appointed deity, but they’re the least of Shenk’s problems: Both he and Ruben are visited by spectral cultists who think Wesley’s shell might just harbor a portal to another world. Wesley’s dad is a handful, the expert witness Shenk hires turns out to be a slippery character, and Wesley’s sister, Evie, “not a rock star, not exactly, but she was a certified indie darling, her star ascendant,” has plenty of complicating secrets of her own. Winters’ lively tale jumps from decade to decade and all over the map as everyone grows older except Wesley, with a growing trail of bodies and suspects to mark the story’s passage.

An entertaining concoction with plenty of twists on the way to a nicely unexpected resolution.

Pub Date: May 18, 2021

ISBN: 978-0-316-50544-4

Page Count: 448

Publisher: Mulholland Books/Little, Brown

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

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Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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