As complete a portrait of an elusive autocrat as can be expected.
A chilling look at the ascent of the current young prince of Saudi Arabia to first-in-line to succession.
Hubbard, the New York Times Beirut chief who has been reporting from the Middle East for more than a decade, is perfectly positioned to observe the rise of Mohammed bin Salman since the accession of his father to the role of king in 2015. Mohammed, the favored son though far from being the eldest, had stuck by his father’s side through his early years, eschewing a foreign education for a Saudi inculcation in the ways his father, then the governor of Riyadh Province, preferred. When his father became king, writes the author in this authoritative biographical picture, he put MBS in command of “the kingdom’s most important portfolios: defense, economy, religion and oil. Then, shoving aside older relatives, he became the crown prince, putting him next in line to the throne. His father remained the head of state, but it was clear that Prince Mohammed was the hands-on ruler, the kingdom’s overseer and CEO.” At first, some international leaders admired the prince as a “game-changer” in a sclerotic Saudi male hierarchy, young and unafraid to “defang” the dreaded religious police and lure investors. The mood had shifted by November 2017, however, when the young prince engineered the imprisonment of hundreds of the richest men in the country in the Ritz-Carlton of Riyadh and forcibly shook them down. Sentiment continued to turn with the Oct. 2, 2018, murder of journalist Jamal Khashoggi, the most prominent critic of MBS and the royal family. “Khashoggi’s killing was a wake-up call,” writes Hubbard. “In a few weeks, it flushed away much of the goodwill and excitement that MBS had spent the last four years generating.” Throughout, the author, synthesizing information gleaned from hundreds of interviews, displays his impressive diligence as a journalist continually blocked by censorship and intimidation.
As complete a portrait of an elusive autocrat as can be expected.Pub Date: March 10, 2020
ISBN: 978-1-9848-2382-3
Page Count: 384
Publisher: Tim Duggan Books/Crown
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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