by Ben Lerner ‧ RELEASE DATE: June 7, 2016
A learned but knotty defense on poetry's behalf, persuasive to no one but those who need no convincing.
Poetry doesn't want to be your friend. Get over it.
For poet (Mean Free Path, 2012, etc.), novelist (10:04, 2014, etc.), and MacArthur Fellow Lerner (English/Brooklyn Coll.), the only kind of love poetry permits is tough love. It's an art with a mean streak, or at least a highly forbidding, unlikable temper. It may be a lot of things—melodic, perceptive, brilliant, awful—but it also carries a threat that warns you to either tread slowly or stay away altogether. "I, too, dislike it," Marianne Moore famously wrote; Lerner adds that dislike is part of the bargain: “What kind of art has as a condition of its possibility a perfect contempt?” The problem seems to be that poetry aims higher than other arts and runs the risk of greater failure. "Poetry arises from the desire to get beyond the finite and the historical," writes the author, "the human world of violence and difference—and to reach the transcendent or divine." The payoff, if there is one, is in the effort. "The hatred of poetry is internal to the art,” writes Lerner, because it is the task of the poet and poetry reader to use the heat of that hatred to burn the actual off the virtual like fog." The author pays homage to the individual, solitary nature of poetry and its refusal to be tamed or coddled, but he does the act of reading no favors. He makes writing poetry seem like a zero-sum game and reading it like torture. The closer he gets to some usable approach, the more it eludes him. His struggle to give concrete form to an increasingly abstract concept of art is just "form gulping after formlessness," as Wallace Stevens put it.
A learned but knotty defense on poetry's behalf, persuasive to no one but those who need no convincing.Pub Date: June 7, 2016
ISBN: 978-0-86547-820-6
Page Count: 96
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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