One of a kind: a thoroughly entertaining antidote to rigid thinking and excessive seriousness.
These minimal, surreal confabulations are tiny dramas whittled down to their unadorned emotional core, carrying readers through transformations of mood to striking, often startling and always unexpected epiphanies.
A man is haunted by his awareness of a secret monster sleeping at the bottom of the local pool; when his disguise fails a moose must flee for his life from a sportsmens’ party; the sea and a house fall in love with one another and are initially frustrated in their attempts to unite; an octopus finds his solitude and spoon-polishing habit interrupted when his nephews come to visit from the sea; boys crawl into dark places where they face their fears and find light; a father, attempting to save his son from a well, learns to fly. If one story could encapsulate the irrationality that drives this irreducible collection, it would be “On the Way Down: A Story for Ray Bradbury,” about a falling man, a play on Bradbury’s admonition against pure intellect: “you’ve got to jump off cliffs all the time and build your wings on the way down.” Loory gives wings to many of these flights of fancy, but their flights are unpredictable and his machinery, deceptively simple, is mysterious. Many flirt with mythology and metaphor, drawing characters into an underworld of phobias, of sex and death and loneliness, allowing them to return enlightened, but the playfulness that permeates Loory’s work prevents them from coming off as preachy. Always they entertain with a delightful elasticity of mind, a deep pathos and an infectious sense of the comic aspects of the human condition. These very short stories are all the more impressive in the depth and openness to interpretation they achieve with simple elements and a lack of real characters. Yet despite the fact that the stories are undeveloped, like stick figures in a flip book, Loory uses some sort of magic to elicit strong pathos.
One of a kind: a thoroughly entertaining antidote to rigid thinking and excessive seriousness.Pub Date: Aug. 1, 2011
ISBN: 978-0-14-311950-0
Page Count: 208
Publisher: Penguin
Review Posted Online: Aug. 1, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
