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RIVER BEND CHRONICLE

THE JUNKIFICATION OF A BOYHOOD IDYLL AMID THE CURIOUS GLORY OF URBAN IOWA

A brick of a memoir that carries very little real weight.

A New York City intellectual recalls his childhood in Davenport, Iowa.

This debut memoir by widely published essayist Miller aspires to fall somewhere between John Kennedy Toole and David Sedaris, but there is little humor in this stream-of-consciousness narrative about the minutia of Midwestern life. The author attempts to lionize a supposedly tough childhood that turns out to be quite ordinary, despite Miller’s best efforts to lend pregnant pause to every mundane detail. The mere choosing of a Christmas tree inspires this passage: “The obvious connection between this emaciated pine and Charlie Brown’s unfortunate tree-lot pick was not voiced by anyone. Or, I should say, could not be voiced, lest we admit our life was a cartoon, and ridiculous as circumstances often were, always, on some level, they remained very real, too.” For the most part, we are bystanders to the panoramic film playing out behind young Miller’s eyes, as he aspires to be a writer and makes grand observations about his family and neighbors. His Writers’ Studio, a group of misfit scribblers, is given surprisingly short shrift, but much drama is inspired by the author’s three “mean sisters,” one of whom is ultimately the victim of her own tragic story. Miller also gives much play to elderly neighbors like Mr. Hickey, a cigar-puffing widower whose ephemera spills across the pages like a still life. There’s no doubt that the author has a gift for language, but the recklessness with which he wields his talent takes the spark out of the story. There is also a degree to which he attempts to demonize his now deeply estranged family—he deliberately distanced himself for years while simultaneously wallowing in his own remembrances—that makes the memoir’s primary subject come off as self-pitying and thin-skinned.

A brick of a memoir that carries very little real weight.

Pub Date: March 12, 2013

ISBN: 978-0-9849000-0-8

Page Count: 336

Publisher: Lookout Books

Review Posted Online: April 9, 2014

Kirkus Reviews Issue: Jan. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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