by Ben Okri ‧ RELEASE DATE: Oct. 1, 1993
A sequel to the Booker Prize-winning The Famished Road (1992)- -again set in a mythic African village besieged by corruption and malevolent spirits—once more celebrates the stalwart human heart's struggle to endure. Azaro, the spirit-child who defied his fellow spirits by refusing to die, continues the story of his family. His father had won a great fight, but, as Azaro reminds us, ``nothing is ever finished, struggles are never truly concluded, sometimes we have to re-dream our lives, and life can always be used to create life.'' Ahead of the family lie the invisible seven mountains of the family's destiny, and all they can do is struggle forward to reach beyond the chaos that now engulfs them. Azaro's mother has been bewitched by the mysterious, all-powerful Madame Koto, who owns a bar in the village. It is a place always undergoing ``fabulous mutations,'' where every day is a celebration, ``an affirmation of her legend.'' Azaro and his father eventually get the mother back- -but she seems changed, weighed down by the many disasters that threaten the village: a murdered man haunts the streets; a ``Jackal-headed Masquerade'' riding a white horse briefly takes over and establishes ``its kingdom of fear''; Madame Koto becomes a dread invisible presence that saps all vitality; women are turned into antelopes; Azaro's father is blinded; and politicians court the villagers with poisoned foods. The times are very much out of joint—a point overly belabored in too many evocations of evil—but Azaro's father regains his sight in a healing that is as much of the spirit as the eyes themselves, and Azaro has his own epiphany when he sees the possibility of serenity beyond the present chaos. Okri conjures up the fabulous with the same ease as he affectingly details the ways of the human spirit in a lovingly evoked African setting teeming with life—both real and mythic. At times repetitive, but stunning nonetheless.
Pub Date: Oct. 1, 1993
ISBN: 0-385-47154-8
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
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by Ben Okri
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by Ben Okri
BOOK REVIEW
by Ben Okri
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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