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THE MISSING

A taut, incisive look at two lives as they slowly implode.

A married couple grows apart in the wake of their daughter’s disappearance.

Some crises bring families closer together; others shatter them. The latter is the case in Tanzer’s new novel, which is pitched somewhere between Tom Perrotta’s suburban ennui and Ian McEwan’s tales of psychological turmoil. Narrated in alternating chapters by Hannah and Gabriel, the novel opens in the wake of their teenage daughter, Christa, going missing with her slightly older boyfriend, Josh. Soon enough, we learn that Hannah and Gabriel have been in a relationship since they were both in high school. Theirs is a close-knit community; John, the police officer on the case, is a former classmate of theirs. Early in the novel, the couple ponders what might have made Christa leave; Gabriel thinks, “We don’t know what we did to cause this. What clues we missed.” But as the months pass, the long-standing fissures in the marriage become more apparent. By the novel’s halfway point, Hannah opts for candor, thinking of Gabriel, “I kind of hate him and I’ve hated him for so long now.” She confides in her father’s fiancee about her lack of experience outside her marriage; throughout, there are hints that she could be bi- or pansexual but never had an opportunity to explore those feelings. A confession Gabriel makes late in the book at an AA meeting suggests he’s at a similar state of arrested development. By the novel’s final third, both Gabriel and Hannah are seeking escapes, whether physically or mentally. As Gabriel phrases it, “We are our memories, pain, and habits, and we’re destined to wallow in and repeat them, unless we can become unstuck, and find a way out.”

A taut, incisive look at two lives as they slowly implode.

Pub Date: March 21, 2024

ISBN: 9798989121427

Page Count: 272

Publisher: 7.13 Books

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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