A lyrical but unyielding work about getting older.
Three Australians look back on lives of dissatisfaction in Tarwin’s fragmentary debut novel.
An aging, unnamed magistrate has come to Sydney on holiday with his wife. Restless and plagued by memories, he ventures to a suburb to visit his brother Richard, whom he hasn’t seen in four years. Richard is still grieving the death of his son, who drowned in Greece under circumstances that Richard has never understood. The reunion doesn’t get off to a very friendly start: “—Sure I can’t tempt you with a drink? —Water, the magistrate said pointedly. —Really. I preferred you when you were a drunk… —I preferred you when you had a son.” The novel tracks both men as they grapple with their ghosts, and it also tells the story of Maria Yael Kaplan, a Jewish refugee and Holocaust survivor. Years ago, Richard had an affair with Maria’s daughter, and then offered his son to be the old woman’s helper. As the novel plays with each character’s memories, Tarwin explores the nature of the loss, remorse, and frustration that comes with age. The novel unfolds in short chapters, written in a discursive, sometimes-dense modernist prose: “Stand in the absence of motion. All that is left is to gather your disappointments scattered beneath the widening twilight; watching as they are weaved into the dusk’s story.” It’s not a book that seeks to accommodate readers; several major characters are nameless, and it achieves its ends via accumulation and repetition, rather than traditional narrative structure. Maria is the most accessible character, in part, because her story is told via several interviews with a single, mysterious figure. Her connection to the brothers is loose, though, and the dispute at the center of the magistrate’s relationship with Richard is never fully clarified—one of several unknowns that the novel resists resolving. How much enjoyment the reader gets out of it all will likely depend on their fondness for the work of such authors as Virginia Woolf and her disciples.
A lyrical but unyielding work about getting older.Pub Date: July 6, 2021
ISBN: 978-0-646-82807-7
Page Count: 183
Publisher: October Editions
Review Posted Online: June 12, 2021
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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