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THE LAST LIBERTINES

For fans of Laclos and De Staël, an overstuffed portrait of a long-gone era.

Wide-ranging history of a doomed generation of French aristocrats whose world would come to an end with the storming of the Bastille in 1789.

Craveri, an Italian professor of French literature, opens with Saint-Beuve’s famous observation, “It is always a beautiful thing to be twenty years old.” So it is, she allows, but especially for the young generation that came up around the time of the reign of Louis XVI. Some brilliant and some merely rich idlers, the seven historical figures she portrays as representative of their class had not just wealth and nobility at their command; they also took note, to varying degrees, of the Enlightenment ideals that were springing up around them. Four of her subjects were counts, two dukes, one a mere “chevalier,” but all understood, by Craveri’s account, that the meritocratic ideal of thinkers like Diderot mattered less than the accident of their birth. Some of the author’s characters hitched their fortunes to the star that was Marie Antoinette, the “ravishing, frivolous queen.” But then, the nobility as a whole tended toward the frivolous, given to intensely public displays of consumption, campaigns of gaining royal favor, court intrigues, and the usual affairs, all expressions of what the author calls “classical libertinism.” (She adds that the habit of the extramarital affair “played the role of corrective for a matrimonial institution indifferent to the wishes of its contracting parties.”) Craveri’s narrative is long, winding, and leisurely, as the author takes her time getting to the French Revolution and the arrival of the guillotine, which took some—but not all—of the aristocrats off the stage. Indeed, there’s a hint of Balzac to the prose, which has some nice moments, as when she writes of one social climber, “Julie was too proud to submit to the logic of caste that relegated her to the margins of society.”

For fans of Laclos and De Staël, an overstuffed portrait of a long-gone era. (20 illustrations)

Pub Date: Aug. 18, 2020

ISBN: 978-1-68137-340-9

Page Count: 680

Publisher: New York Review Books

Review Posted Online: April 26, 2020

Kirkus Reviews Issue: June 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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