A compelling story about the need to satisfy one’s yearnings at all costs.
A veteran traveler and filmmaker chronicles his adventurous life.
In his latest book, Allen (b. 1960) discusses what being an explorer means to him and attempts to set the record straight about the 2017 headlines that reported him missing in Papua New Guinea. He begins by recalling a childhood captivated by stories of faraway lands and voyages of discovery across the centuries. Regarding early explorers, he writes, “they seemed to feel it keenly; the sense that something in themselves or the world was missing.” Although he touches on other trips, Allen focuses mostly on his time spent in PNG, candidly sharing his memories and diary entries from the time. During his first trip there in the 1980s, he developed a close relationship with the Kandengei people and participated in a rite of passage involving the “Crocodile Nest,” which they believe transforms boys into men. On a return trip, the author had an encounter with the Yaifo people, which he believes is the last tribe to have no contact with the outside world. After coming to the realization that he “was seeking something that lay beyond an ever-receding horizon,” Allen made the decision to return home, settle down, and start a family. At the same time, he felt regret for leaving the Yaifo people, believing that they were soon to experience their “dying days.” Three decades later, the opportunity arose for him to return to PNG to help create a documentary for the BBC. Before the trip was cut short, Allen learned that the Yaifo people may have survived after all, and he felt compelled to complete his journey, returning to PNG alone. At this point, Allen took on unnecessary risks and was initially reported as missing. However, his intentions become apparent as he recounts his experience and addresses the media hype surrounding his “rescue” by helicopter.
A compelling story about the need to satisfy one’s yearnings at all costs.Pub Date: June 28, 2022
ISBN: 978-1-78689-623-0
Page Count: 288
Publisher: Canongate
Review Posted Online: March 18, 2022
Kirkus Reviews Issue: April 15, 2022
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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