Rambling treatment of a very familiar theme, from second-novelist Little (Good Hair, 1996), whose highly personal style...
Husband leaves, wife gets a life.
Without knowing exactly how it happened, sexy photographer and college rebel Ina Eleazar became a suburban, car-pooling, Prozac-popping housewife and mother of three. No wonder her husband Jay found himself a new love. A high-earning real estate salesman, he’s apparently surrounded by glamorous, well-dressed women and simply has to pick one. Ina thinks back to her youthful days at Howard University and her passionate affair with David, who raised her consciousness before he went off to Ghana with the Peace Corps. Son of a distinguished family—his mother was a successful Washington, D.C., lawyer and world-renowned child advocate—David wasn’t ready to do the family thing, though he and Ina did love each other. Much scattershot musing: Could it be that Ina settled for Jay, a handsome fraternity brotha with ambition, because she needed security? Not that her Momma ever encouraged her to do anything but follow her dream, as did her cousin and lifelong best friend Zackie, a drag queen. Trite insights: “So much of life is about letting go of illusions.” Ina has to scramble to manage the three children alone, though Jay comes through with adequate support and even takes them off her hands every other weekend, leaving Ina free to have affairs, stay out late, and think it all over. Girlfriend Kayreen commiserates: her brother Jimmy just left his wife of 20 years for a Texas deb who collects diamonds. Ina may have to sell her roomy, sun-filled house and downscale her buppie lifestyle. In fact, she’s actually terrified about money. Good thing Jay isn’t too thrilled about this either, because the two of them end up in a therapist’s office after an unexpected encounter with Jay’s new love.
Rambling treatment of a very familiar theme, from second-novelist Little (Good Hair, 1996), whose highly personal style gives it some flava.Pub Date: Jan. 21, 2003
ISBN: 0-684-85480-5
Page Count: 288
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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