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BYRON

CHILD OF PASSION, FOOL OF FAME

This new life of the 19th-century’s most notorious literary celebrity successfully revivifies the poet for our times—albeit not without applying a few shocks. Eisler (O’Keefe and Stieglitz: An American Romance, 1991, etc.) has found in Byron a subject well-fitted to her ability to take frank measure of transgression. In an effective opening vignette, Eisler recreates the contentious scene, after his untimely death at war with revolutionaries in Greece, when Byron’s associates in England collectively burned his shocking memoirs. Then, as if reconstituting those lost recollections, Eisler reconstructs his experiences, however sensational, as closely as possible—without, however, overindulging in speculation of the “he must have felt” variety. While she ably handles Byron’s erotically charged youth and school days, the author comes into her own when handling the heart of his story: his sexual affairs—including the notorious liaison with his own half-sister—conducted in Regency London and then in Italian exile; his travels in Greece, the Levant, and Europe with the Shelleys and others; and above all, his ambitious poetic productions, which would transfix all Europe. In part through close readings of his verses, Eisler captures the urgency of his homosexual loves and the viciousness with which he turned on his wife. While Eisler occasionally crosses the line into the lurid, her reporting, rendered in beautiful prose, seems accurate, even when she argues that Byron, himself molested as a child, molested children in turn. It helps that she also emphasizes Byron’s wider sensuality—exploring his shame over his lameness, his weight issues, and his compulsive athleticism—and the absurdly complex money issues that dogged him. In such contexts, Byron’s wild sexual adventures seem only a part of a lifestyle that was so far ahead of its time as to be not just modern, but perhaps even postmodern. Occasional local crimes of sensationalism, then, contribute to the singular virtue of this volume: it’s the rare doorstop of a literary biography that’s also a legitimate page-turner. (16 pages photos, not seen)

Pub Date: April 19, 1999

ISBN: 0-679-41299-9

Page Count: 800

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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