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THE RED MAN'S BONES

GEORGE CATLIN, ARTIST AND SHOWMAN

Eisler’s fine, thorough work begs for a fresh reappraisal of this pioneering artist.

A welcome new evaluation of a significant American artist honed by the Wild West spirit and hucksterism of the age.

Biographer of Byron, Chopin, George Sand and others (Naked in the Marketplace: The Lives of George Sand, 2007, etc.), Eisler now turns her considerable research talents to fleshing out the life and work of Pennsylvania-born artist George Catlin (1796–1892), whose sympathetic portraits of the Native Americans he sought out and lived among render an incalculable record of (and tribute to) a vanished people. Trained as a lawyer, Catlin fled the tediousness and drudgery of the profession by immersing himself in drawing, specifically miniatures. Largely self-taught, he nonetheless had some formal training at the Pennsylvania Academy of the Fine Arts in Philadelphia in the early 1820s, under Thomas Sully and Charles Willson Peale, and he made his way as a journeyman artist. His portraits of Gov. DeWitt Clinton garnered some attention, but he was always in need of official patronage. Perhaps inspired by Charles Bird King’s portraits of tribal leaders in Washington, Catlin struck out West and attached himself to Gen. William Clark, governor of the Missouri Territory. Portraying the Indians of the Southwestern plains became Catlin’s passion, and during the 1830s, over numerous visits embedded among the tribes, he painted hundreds of careful portraits; he often bought the Indians’ garments and artifacts to display later with the work as proof of his eyewitness. Much of the rest of his restless life was spent roving among London, Paris and Brussels, displaying his traveling Indian Gallery (and making a living from it), toeing that precarious line between artist and impresario. The author thoughtfully explores the complicated bleeding of empathy into exploitation.

Eisler’s fine, thorough work begs for a fresh reappraisal of this pioneering artist.

Pub Date: July 22, 2013

ISBN: 978-0-393-06616-6

Page Count: 432

Publisher: Norton

Review Posted Online: May 6, 2013

Kirkus Reviews Issue: June 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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