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THE BLACK-EYED BLONDE

The portrait of 1950s LA is less precise than Chandler's, but the aging, reflective Marlowe is appropriately sententious. A...

Man Booker Prize–winning novelist John Banville, already disguised as mystery writer Black (Holy Orders, 2013, etc.), goes under even deeper cover to imitate Raymond Chandler in this flavorsome pastiche.

Nobody knows better than Clare Cavendish that self-styled Hollywood agent Nico Peterson is dead. Clare saw her ex-lover killed by a hit-and-run driver outside the Cahuilla Club two months ago. But she hires peerless shamus Philip Marlowe to find him anyway since—though she doesn’t tell Marlowe this part at first—she’s just seen Nico in San Francisco, clearly alive. Marlowe follows the obvious leads without results. Sgt. Joe Green at Central Homicide is naturally skeptical of the unnamed client’s claim. Nico’s one marginally successful client, starlet Mandy Rogers, says she knows nothing about him, and he wasn’t her agent anyway. Floyd Hanson, the Cahuilla Club manager who identified the corpse, has nothing to add to what he told the cops. The closest thing to a break in the case is Marlowe’s conversation with Nico’s sister, which is interrupted when she’s kidnapped by a pair of Mexicans and later killed. Clearly there’s more to the story than anyone’s telling. But the most suspicious character is (surprise!) Marlowe’s client, who’s clearly up to her mascara in unsavory connections to big money, big crime and the big sleep. Black’s plotting is no better than Chandler’s, but he has Marlowe’s voice down to a fault. Both the dialogue and the narration crawl with overblown, Chandler-esque similes (“He looked like a scaled-down version of Cecil B. DeMille crossed with a retired lion tamer”), and devotees will recognize borrowings from Farewell, My Lovely, The Little Sister and, most unforgivably, The Long Goodbye, which Black’s audacious finale makes just a little bit longer.

The portrait of 1950s LA is less precise than Chandler's, but the aging, reflective Marlowe is appropriately sententious. A treat for fans, even if they end up throwing it across the room.

Pub Date: March 4, 2014

ISBN: 978-0-8050-9814-3

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Feb. 1, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE LIFE WE BURY

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...

A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.

Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk. 

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.

Pub Date: Oct. 14, 2014

ISBN: 978-1-61614-998-7

Page Count: 300

Publisher: Seventh Street Books

Review Posted Online: Oct. 8, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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