Not for the fainthearted, but a bracing tale of life on the edge of death.
A Fox News war reporter writes of his hellish and near-fatal experiences in the field.
During his career, Hall has gone “wherever civilization was collapsing under the assault of factions and ideologies—to Aleppo in Syria, Mosul in Iraq, Kabul in Afghanistan, Mogadishu in Somalia—always maneuvering as close to the front lines as I could,” constantly confronted by the “brutal reality of war.” Working as a war correspondent in Ukraine, he suffered serious injuries from a Russian bomb that killed two of his colleagues. Hall is nothing if not thoughtful: His meditations on the events of his life preceding that terrible moment are always about the well-being of others, especially vis-à-vis his work. Should he record the moment as a fighter dies? Does he take sides? It seems clear that in the case of Russia’s Ukrainian incursion, his sympathies lie with the invaded, even though “it was not my job to tell people how I felt. It was my job to give viewers the news they needed to know, and to convey how the Ukrainians felt about what was happening. By then I had learned how to squirrel my emotions safely away in my pocket.” The author’s story centers largely on his struggle to regain health and capabilities after having suffered what medical personnel call polytrauma as well as significant burns. He was airlifted for treatment at U.S. military hospitals and rehabilitation centers while being accorded the unusual kindnesses of strangers. These included a Special Forces soldier who offered him gummy bears on his gurney high above the Atlantic and the medical staff who worked around the clock to save his life and as much of his body as they could. It makes for an affecting, singular story.
Not for the fainthearted, but a bracing tale of life on the edge of death.Pub Date: March 14, 2023
ISBN: 9780063309661
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 17, 2023
Kirkus Reviews Issue: March 15, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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