The usual Cornwell bull’s-eye.
Beset by the plague and those hellacious Dominican inquisitors, the sure-shot hero of Cornwell’s Archer series (Vagabond, 2002, etc.) continues his eventful search for the Holy Grail.
Armed with his own Weapon of Mass Destruction, the deadly English longbow Thomas Hookton, né (on the wrong side of the sheets) Vexille, has made it through the battle of Crecy and torture at the hands of a Dominican madman, comforted by a succession of equally tough and healthy young ladies, to arrive at last in the Languedoc, the southern French country where the Vexilles, before falling into the Cathar heresy, were lords of Astarac and where the few clues left by Thomas’s father seem to lead to the holy relic. Accompanied by Robbie Douglas, the tough young Scot he rescued in Vagabond and by landless, one-eyed, Norman turncoat Sir Guillaume D’Evecque, and backed by his own posse of longbowmen, Thomas has seized the stronghold of Castillon d’Arbazon in order to lure his ruthless crypto-Cathar cousin Guy Vexille to the neighborhood. Guy and Thomas each believe the other holds the clues to the location of the Grail that everybody is sure the Vexilles held and hid. Everybody, that is, except the spectacularly cynical Cardinal Archbishop Louis Bessieres, who has imprisoned a gifted Parisian goldsmith and his doxy with orders to run up a state-of-the-art fake, which, once planted and then “discovered,” will put the Cardinal in the papal throne at Avignon. There is, of course, a lovely lass for Tom in Castillon d’Arbazon. She’s Genevieve, scheduled for burning by a creepy fanatic priest who decided, after some lustful torture, that she’s a heretic. Lissome, blond, and a quick student of the crossbow, Genevieve, property of the devil though she may be, is just the gal for our archer, and together they take on the Cardinal, Guy, the local baron, and any number of Genoese crossbowmen, and, as the Black Plague arrives, get their hands on the box that leads to the cup of everyone’s dreams.
The usual Cornwell bull’s-eye.Pub Date: Oct. 7, 2003
ISBN: 0-06-053049-9
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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