Another top effort from one of today’s truly great storytellers. Please, oh please, let it be another series.
Cornwell picks a new epoch to play in and, to no one’s surprise, has a ball.
The master of the Sharpe series, the Warlord Trilogy, and Stonehenge 2000 B.C. takes his peerless storytelling to the 14th-century in the tale of Thomas of Hookton, bastard son of an eccentric priest, whose superb archery takes the hero from darkest Dorset to the pivotal battle of Crecy. Tall, handsome, and deeply uninterested in his priestly study at Oxford, Thomas has gotten himself into the usual dilemma of lads home from school for the break: there’s a local lass with a bun in the oven. But career choices and fatherhood cease to be problems when raiders from across the English Channel put the torch to the village of Hookton, raping, pillaging, cleaving, and stabbing in the fashion of the day. The pregnant girlfriend becomes a prize of war, and Thomas escapes with his life, but the raiders do in his mother and his rather mysterious father. They also make off with the greatest treasure in his father’s church, the lance of St. George. With his last breath, Father Ralph tells his son that the lance, with which the family has long been involved, is now in the hands of Thomas’s evil cousin, a leader of the raid, and he extracts from Thomas a promise to retrieve the relic. Chucking scholarship forever, the dutifully vengeful Thomas takes his bow and arrows to France to join English troops doing their own raping, pillaging, cleaving, and stabbing. He’s a natural. Not so much at the nastier parts, but he’s bright, speaks great Norman French, loves the job, and shoots straight. It’s his reconnoitering that brings the stalemated English their first victory in ages, and his arrows bring down Frenchman after Frenchman. There’s a setback when an evil knight lays him low, but Thomas gets to meet a good Jewish doctor, picks up a couple of very attractive Frenchwomen, and catches the eyes of the best British warriors.
Another top effort from one of today’s truly great storytellers. Please, oh please, let it be another series.Pub Date: Oct. 9, 2001
ISBN: 0-06-621084-4
Page Count: 368
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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