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WARRIORS OF THE STORM

Cornwell's latest is often bloody, sometimes ribald, but always smartly done. Fans might be disappointed with this effort’s...

"Englaland" [sic], King Alfred once said, "will be God’s land," but first the Norse and the Danes, worshippers of the old gods, must be banished, a bloody struggle Cornwell (The Empty Throne, 2015, etc.) chronicles in the ninth of his Saxon series.

This tale’s a continuous barrage of battles, interspersed with political, social, and religious intrigue. In the 10th century, Saxon King Edward (Alfred's son) rules Wessex and East Anglia. Mercia is ruled by Edward’s sister, Lady Æthelflaed. Between those three regions and wild Scotland is Northumbria, controlled by Norsemen and Danes. Edward is cautious, unwilling yet to move north. The more adventurous Lady Æthelflaed’s being prodded by her ally Uhtred, Lord of Bebbanburg, whose northern lands are held by the invaders. Wielding his sword, Serpent-Breath, Uhtred speeds to battle when Ragnall the Cruel, leading Norsemen, Danes, and Irish, sails up the River Mærse. Ragnall intends to conquer and unite the four kingdoms. Thus begin battles large and small, culminating at Hrothwulf’s Farm. (Cornwell includes a map and place name index.) Uhtred, always attacking at "wolf-light," the mist-riven pre-dawn hours, has grown into a multidimensional character, and Cornwell’s vivid descriptions do justice to the sceptered isle. Beyond the sword and shield are interesting themes about political expediency, personal loyalty, and the complicated confrontations between early Christians and worshippers of pagan gods. Cornwell’s archaic curses are fun—"a useless lump of self-important gristle"—and there’s more than one colorful factoid—bleached skulls on ramparts become a fear-inspiring "ghost fence." As usual, Cornwell’s research gives the book veracity, and his rendering of the tale from Uthred’s point of view allows immersion into the complex story of how disparate kingdoms became England.

Cornwell's latest is often bloody, sometimes ribald, but always smartly done. Fans might be disappointed with this effort’s brevity, though, and new readers will be better served by beginning at the start of the series (The Last Kingdom, 2005).

Pub Date: Jan. 19, 2016

ISBN: 978-0-06-225094-0

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 21, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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