by Bernard-Henri Lévy ‧ RELEASE DATE: Sept. 10, 2024
Controversial, as Lévy is wont to be, but nuanced, and an argument worth hearing out.
The eminent French philosopher and journalist champions Israel at a time when that nation is increasingly isolated.
Only one option remains to Israel in its war against Hamas and Hezbollah, and by extension Iran, writes Lévy: “That option is to win.” Known to his French compatriots as BHL, Lévy holds that winning must almost certainly come in the form of military action, putting victory squarely in the hands of the Israeli Defense Forces “while taking every possible precaution to minimize civilian casualties.” While Lévy argues that the IDF has taken those precautions, the devastation of Gaza notwithstanding, he does acknowledge exceptions, as with the killing of workers for the World Central Kitchen—a “mistake,” he asserts, that should be adjudicated. As for the precipitating Event—Lévy capitalizes it in the sense of a black swan event that can be guessed at but never accurately forecast—he is unwavering: The death of children is unforgivable, he urges, and on Oct. 7, 2023, “Hamas made no distinction between adults and children,” deliberately attacking civilians and kidnapping and killing minors. Lévy adds, with evident contempt for the defenders of Hamas on the world’s campuses and social media platforms, “I need no lessons on this subject from those who did not weep with me over the children gassed by Bashar al-Assad in Damascus, the children drowned off the coast of Lampedusa in their open migrant boats, the children bled white in Yemen, Nigeria, or Mogadishu.” That may not be a winning formula for changing minds, but the larger point of Lévy’s essay is that Israel stands alone because of both antisemitism and the tyranny of public opinion, with too many people forgetting that Palestine’s leaders “thought only of annihilating” those on the other side of the wall.
Controversial, as Lévy is wont to be, but nuanced, and an argument worth hearing out.Pub Date: Sept. 10, 2024
ISBN: 9798888457832
Page Count: 176
Publisher: Wicked Son
Review Posted Online: Nov. 25, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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by Bernard-Henri Lévy translated by Steven B. Kennedy
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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