by Bernard Malamud ‧ RELEASE DATE: May 5, 1969
Fidelman's Exhibition had its original vernissage in three of the six stories which appeared (since retouched) in The Magic Barrel and Idiots First. Artur Fidelman, aging boy from the Bronx, attempts to become Arturo Fidelman, painter in Italy, and these episodes involve his Wanderjahre through some of the more aromatic back-streets of Rome, where he's beleaguered by a Jew of Jews and refugee of refugees, one Susskind; Florence, where he's taking out the garbage of Annamaria who uses and abuses him before she tosses him out of her bed and where he's recruited by some lesser thieves into making a copy of a Titian; also where he spends years trying to paint a "Kaddish"—a Mother and Son, his uncreated masterpiece, which finally becomes the sum of its originals—Prostitute and Procurer (he's been pimping for his model Esmerelda); and finally in Venice where a glassblower Beppo teaches him another art as well as another kind of love. Beppo also tries to make him see that "half a talent is worse than none" which somehow Fidelman is able to controvert. He's in the tradition of Malamud's hapless heroes which Marcus Klein called the school of slapstick angst; the funny, sad, self-confessed failure who, while he never succeeds, still triumphs. Unquestionably.
Pub Date: May 5, 1969
ISBN: 0413445305
Page Count: 175
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: May 1, 1969
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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