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THE AMBIGUITY OF VIRTUE

GERTRUDE VAN TIJN AND THE FATE OF THE DUTCH JEWS

A scholarly, thoroughly documented work that elucidates historical issues and explores moral ones.

Was she a heroine or collaborator, a saint or sinner? How should we view Gertrude van Tijn (1891–1974), a woman tasked with saving Jews from the Nazi’s gas chambers?

In an attempt to understand her motives and actions, Wasserstein (Emeritus, Modern European Jewish History/Univ. of Chicago; On the Eve: The Jews of Europe Before the Second World, 2012, etc.) takes a close look at the background and behavior of his subject. He gives readers not just a personal portrait of van Tjin, a bourgeois German Jew who embraced Zionism as a young woman and acquired Dutch nationality upon her marriage in 1920, but also a stark picture of the plight of European Jews before and during World War II. After the Germans occupied the Netherlands in 1940, van Tijn, who had been working there for the Committee for Jewish Refugees, found it taken over by the Nazi-controlled Jewish Council of Amsterdam. When the council sent her to Portugal with the mission of arranging overseas transport of Jewish refugees, her role in the registration of Jews, who instead of being transported were rounded up and sent to concentration camps, has raised questions, which Wasserstein examines here. He sees her story as a study in the ambiguity of virtue, and while he acknowledges that her reputation would have been better had she resigned from the council early on, he argues that the failure of her mission lies elsewhere. While the actions of the Nazis, the complicity of the Dutch, and the immigration policies of the American and British governments may be familiar to many readers, Wasserstein includes one less-well-known and fascinating story: In 1944, a group of more than 200 Jews from Bergen-Belsen were exchanged for Germans being held as enemy aliens in the British mandate of Palestine; van Tijn was one of them.

A scholarly, thoroughly documented work that elucidates historical issues and explores moral ones.

Pub Date: March 17, 2014

ISBN: 978-0-674-28138-7

Page Count: 310

Publisher: Harvard Univ.

Review Posted Online: Jan. 28, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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