Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

BEING JEWISH IN 2025 NEW YORK CITY; THE DYSTOPIAN NIGHTMARE (VOLUME 2)

THE DYSTOPIAN NIGHTMARE: VOLUME 2

A simple yet delightfully left-field take on a fight against oppression.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Murray offers a near-future thriller sequel about a war on personal freedom.

In the first series installment, New York City was shown to have been taken over by a government that’s hostile to individual rights, particularly regarding religion. Enforcers known as Thought Police have the power to arrest and detain anyone. As one character explains it, they “don't believe in religion or moral values. They just act on the orders they are given by the soulless city government.” Two Jewish people in their 40s, Sue and David, fled to Long Island. The Thought Police don’t have jurisdiction there, and it’s home to a hotel turned safehouse run by Hilda, a leading member of the rebellious New York Freedom Fighters. She was kidnapped by the Thought Police at the end of the previous book, but her fellow Freedom Fighters find her, and she has ideas on how to fight against the city. To kick things off, several of her organization’s members, including Sue and David, head into Manhattan to rescue some Jewish people being held against their will in an apartment. The entire gang conduct the operation dressed as Batman; if anyone asks any questions, they plan to say that they’re merely in the city for a costume party. Although the mission is a success, it’s clear that much more will be required to make a dent in the oppressive society and to foil the Thought Police’s plan for an all-out assault on the city. David reflects on his new existence: “My life had become like an action movie.”   

As in an action film, things move quickly in this brief book. No sooner has Hilda recovered from her abduction ordeal that she’s ready to try something new. “The cowards didn't have the guts to kill me,” she says of her kidnappers. And, indeed, throughout the story, the villains continually prove to be inept. The Freedom Fighters, by contrast, are highly skilled—sometimes despite themselves. For example, at one point, David says, “I don't know much about guns. I'm not sure how to fire it,” but he still manages to shoot a moving vehicle while riding in another. Such moments, combined with a mostly bloodless storyline (although there are some deaths) gives the story a unique feel that’s much different from a traditional thriller. It certainly proves to be stranger and more playful than one might expect in a work about a citywide totalitarian government. For instance, as in the first installment, there are dogs in the middle of the fray; when David is preparing to take the fateful shot, for instance, Sue, who’s in the car with him, struggles to keep a canine named Tim from “jumping up to look out the window.” The animal is humorously subdued with the help of some peanut butter cookies. Although it seems clear early on that the good guys will emerge triumphant (either in this volume or a later one), the fun comes in following the offbeat path they travel along the way.

A simple yet delightfully left-field take on a fight against oppression.

Pub Date: April 8, 2022

ISBN: 9798449217967

Page Count: 108

Publisher: N/A

Review Posted Online: Oct. 3, 2024

Next book

THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 187


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 187


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview