A simple yet delightfully left-field take on a fight against oppression.
Murray offers a near-future thriller sequel about a war on personal freedom.
In the first series installment, New York City was shown to have been taken over by a government that’s hostile to individual rights, particularly regarding religion. Enforcers known as Thought Police have the power to arrest and detain anyone. As one character explains it, they “don't believe in religion or moral values. They just act on the orders they are given by the soulless city government.” Two Jewish people in their 40s, Sue and David, fled to Long Island. The Thought Police don’t have jurisdiction there, and it’s home to a hotel turned safehouse run by Hilda, a leading member of the rebellious New York Freedom Fighters. She was kidnapped by the Thought Police at the end of the previous book, but her fellow Freedom Fighters find her, and she has ideas on how to fight against the city. To kick things off, several of her organization’s members, including Sue and David, head into Manhattan to rescue some Jewish people being held against their will in an apartment. The entire gang conduct the operation dressed as Batman; if anyone asks any questions, they plan to say that they’re merely in the city for a costume party. Although the mission is a success, it’s clear that much more will be required to make a dent in the oppressive society and to foil the Thought Police’s plan for an all-out assault on the city. David reflects on his new existence: “My life had become like an action movie.”
As in an action film, things move quickly in this brief book. No sooner has Hilda recovered from her abduction ordeal that she’s ready to try something new. “The cowards didn't have the guts to kill me,” she says of her kidnappers. And, indeed, throughout the story, the villains continually prove to be inept. The Freedom Fighters, by contrast, are highly skilled—sometimes despite themselves. For example, at one point, David says, “I don't know much about guns. I'm not sure how to fire it,” but he still manages to shoot a moving vehicle while riding in another. Such moments, combined with a mostly bloodless storyline (although there are some deaths) gives the story a unique feel that’s much different from a traditional thriller. It certainly proves to be stranger and more playful than one might expect in a work about a citywide totalitarian government. For instance, as in the first installment, there are dogs in the middle of the fray; when David is preparing to take the fateful shot, for instance, Sue, who’s in the car with him, struggles to keep a canine named Tim from “jumping up to look out the window.” The animal is humorously subdued with the help of some peanut butter cookies. Although it seems clear early on that the good guys will emerge triumphant (either in this volume or a later one), the fun comes in following the offbeat path they travel along the way.
A simple yet delightfully left-field take on a fight against oppression.Pub Date: April 8, 2022
ISBN: 9798449217967
Page Count: 108
Publisher: N/A
Review Posted Online: Oct. 3, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
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