A simple yet delightfully left-field take on a fight against oppression.
Murray offers a near-future thriller sequel about a war on personal freedom.
In the first series installment, New York City was shown to have been taken over by a government that’s hostile to individual rights, particularly regarding religion. Enforcers known as Thought Police have the power to arrest and detain anyone. As one character explains it, they “don't believe in religion or moral values. They just act on the orders they are given by the soulless city government.” Two Jewish people in their 40s, Sue and David, fled to Long Island. The Thought Police don’t have jurisdiction there, and it’s home to a hotel turned safehouse run by Hilda, a leading member of the rebellious New York Freedom Fighters. She was kidnapped by the Thought Police at the end of the previous book, but her fellow Freedom Fighters find her, and she has ideas on how to fight against the city. To kick things off, several of her organization’s members, including Sue and David, head into Manhattan to rescue some Jewish people being held against their will in an apartment. The entire gang conduct the operation dressed as Batman; if anyone asks any questions, they plan to say that they’re merely in the city for a costume party. Although the mission is a success, it’s clear that much more will be required to make a dent in the oppressive society and to foil the Thought Police’s plan for an all-out assault on the city. David reflects on his new existence: “My life had become like an action movie.”
As in an action film, things move quickly in this brief book. No sooner has Hilda recovered from her abduction ordeal that she’s ready to try something new. “The cowards didn't have the guts to kill me,” she says of her kidnappers. And, indeed, throughout the story, the villains continually prove to be inept. The Freedom Fighters, by contrast, are highly skilled—sometimes despite themselves. For example, at one point, David says, “I don't know much about guns. I'm not sure how to fire it,” but he still manages to shoot a moving vehicle while riding in another. Such moments, combined with a mostly bloodless storyline (although there are some deaths) gives the story a unique feel that’s much different from a traditional thriller. It certainly proves to be stranger and more playful than one might expect in a work about a citywide totalitarian government. For instance, as in the first installment, there are dogs in the middle of the fray; when David is preparing to take the fateful shot, for instance, Sue, who’s in the car with him, struggles to keep a canine named Tim from “jumping up to look out the window.” The animal is humorously subdued with the help of some peanut butter cookies. Although it seems clear early on that the good guys will emerge triumphant (either in this volume or a later one), the fun comes in following the offbeat path they travel along the way.
A simple yet delightfully left-field take on a fight against oppression.Pub Date: April 8, 2022
ISBN: 9798449217967
Page Count: 108
Publisher: N/A
Review Posted Online: Oct. 3, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
