An unevenly executed thriller helped along by a wolfman who’s full of surprises.
Murray and Fahrie (NYC Werewolf Tales 3, 2018, etc.) present an urban-fantasy tale about a young werewolf.
Lucy, a Manhattan college student, takes notice of a tall, shy classmate named James Hatton, and they begin dating. Their outings include walks in Central Park and a trip to the Metropolitan Museum of Art. It’s on this visit to the Met that James confesses a strange secret: He’s a werewolf. Ever since his mother died five years ago, whenever he feels threatened, he changes into a ferocious creature. In wolf form, James stops a would-be shooter, saves a man from drowning, and even steals a motorcycle from a surly thug and rides it, among other feats. Lucy comes to terms with James’ wolf identify fairly easily, although she does harbor a lingering fear that he’ll lose control of himself while transformed. She’s dealing with other problems, as well—namely, that her ex-boyfriend Josh refuses to accept that their relationship is over. Lucy and James consult regularly with a psychic to shed some light on their situation, but there’s no predicting where, in the end, the wolf shall roam. The book’s excitement comes in finding out what James’ wolf form will do next—and what sort of criminal he’ll set straight during his sudden appearances. However, the sections of the novel between these heroic tasks are not quite so gripping; on more than one occasion, for example, they digress into lists of foodstuffs. This is not to say that the minor characters are bland; one feisty old man in the Hamptons with a penchant for motorboats shows plenty of bravery despite his lack of supernatural powers. The story’s final section moves into stranger territory as Lucy makes the best of her peculiar romantic relationship, and readers are kept wondering whether it will all work out.
An unevenly executed thriller helped along by a wolfman who’s full of surprises.Pub Date: Feb. 13, 2018
ISBN: 978-1-980277-49-1
Page Count: 398
Publisher: Time Tunnel Media
Review Posted Online: Aug. 3, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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