A lightweight and playfully swift adventure set in a famous realm of magic and royalty.
Murray and Fahrie deliver the latest novella in their supernatural series featuring a shape-shifting time traveler from the present day.
In a previous installment, Lucy and James traveled from September 2018 to the days of King Arthur’s court. As this book opens, it’s September 518, and the two find themselves among such famous names as Merlin and Lancelot. Jousting tournaments and dinners with plenty of wine make for an entertaining existence for the pair; Merlin even has a sassy parrot who points to such things as how “James still misses his mother very much.” The idyll ends, however, when it becomes apparent that murderous vampires are on the loose in Camelot. The problem is so acute that Lucy even finds one under her bed. Luckily, James is a shape-shifter who’s able to change into a wolf whenever the need arises; not only does he save Lucy and himself from an intruding vampire, but he also rescues Queen Guenevere from an attempted kidnapping. Amid the hubbub, there’s an illicit relationship between Guenevere and Lancelot, which goes against her wedding vows. She tells Lucy that she knows that she must break things off, but she feels passion for the knight that she sometimes finds herself “unable to control.” Many other women at court find Lancelot equally attractive; indeed, it appears that a commoner named Roxanne may have killed herself because he didn’t reciprocate her advances. And if that weren’t enough, there are still all those vampires to deal with.
Murray and Fahrie present a densely packed tale in this series entry, but it’s one that moves quickly. As the entire novella is less than 100 pages long, no individual scene lasts for very long, and many chapters are dominated by action. In one notable scene, Lancelot gets punched in the face at dinner; another features two characters being forced to dance in a vampire castle, as villains chant “Dance or Die!” However, the dialogue is frequently on the nose, with characters stating how they are feeling instead of showing it through action: One character remarks after swimming in a mineral spring, “That was a delightful swim. I feel much more relaxed now”; during an attack, someone unnecessarily exclaims “We are being attacked! Kill them before they kill us.” Even Lancelot takes an opportunity to bluntly explain his actions: “I’m very much my own man and I often go away on adventures all by myself.” The earnestness of everyone involved doesn’t make for the most mysterious atmosphere, but it does result in entertainment. The fact that the monstrous vampires laugh and clap gives them an unexpectedly humorous bent, and during a confrontation with bats, Merlin uses owls in an endearingly cartoonish scene: one bird “quickly ate the entire bat whole.” Some aspects of the story are predictable, but there is always something new developing around the corner, and it may well come with a touch of silliness.
A lightweight and playfully swift adventure set in a famous realm of magic and royalty.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 26, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
