by Beryl Bainbridge ‧ RELEASE DATE: Aug. 1, 1998
A loose-knit collection of personal essays, all of them short, irreverent, and revealing, by one of Britain’s top novelists (Every Man for Himself, 1996; The Birthday Boys, 1994; etc.) When she first began her column for the London Evening Standard in the late ’80s, Bainbridge claims that she “mistakenly attempted to grapple with so-called burning issues,” only to realize that such an undertaking required much research. Overwhelmed by the effort, she soon turned her attention home again. “I’m not bothered,” she writes, “with causes or hard facts; my preoccupation is not with the immediate how and why of the lives we lead, but rather with a raking over of the life we once knew.” And so she does, with self-deprecating wit and a knack for character-revealing detail. The character she exposes, however, is her own. Bainbridge casts herself as the slightly addled owner of a ramshackle house overrun by various adult daughters and their assorted children. At every turn, the author’s efforts to write her column are interrupted by their comings and goings, as well as those of her secretary, her cleaning woman, her cat, her local ghost and equally local policeman. The tumult provides Bainbridge with enough centrifugal force to connect the ridiculous to the even more ridiculous, completely bypassing the sublime. Who else would link a brief discussion of philosopher David Hume to a failed attempt to rent a geriatric guest from the Council housing project for Christmas? Or use the event of a concert by the Israel Philharmonic Orchestra to reflect upon a ruptured carbuncle and the decline of British manners? Although hardly profound, Bainbridge has a way of skewering her own foibles and those of the larger society with a deft pen, casually mixing and matching personal and social phenomena with the odd faux pas. Thus Bainbridge succeeds in creating a book of short essays as salty and addictive as a bag of crisps. (drawings by author, not seen)
Pub Date: Aug. 1, 1998
ISBN: 0-7867-0517-5
Page Count: 176
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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