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THE CLOCKWORK CROWN

A satisfying follow-up that sticks to the comforts of familiar fantasy elements but still offers an entertaining, swiftly...

In a return to the steampunk-flavored world of her first novel, Cato (The Clockwork Dagger, 2014) sends her likable cast of characters on a more tightly written, higher stakes fantasy adventure.

After evading the dangers, both magical and political, of The Clockwork Dagger, Octavia Leander finds herself fleeing from assassination and in search of an explanation for the sudden, frightening intensification of her powers as a healer. Her traveling companion is the handsome, devoted Alonzo Garret, a former assassin and spy–turned–diligent protector who provides Octavia with a bluntly appealing romantic interest and bantering partner. Their search for safety and knowledge takes them from the familiar but conflict-ravaged country of Caskentia to the southern nation of Tamarania, where education and invention are prized and magic is looked upon with distaste. Unsurprisingly, danger and intrigue soon follow, and Octavia and Alonzo run an engaging, if predictable, series of adventures that involve murder attempts, kidnapping, battling mecha matches, and a host of the endearing, human-created chimeras known as “gremlins.” Octavia’s powers continue to change, growing ever stronger, stranger, and more unsettling. Her reaction to the transformation of her magic, and her fear of what it means for herself and her beliefs, gives the pleasant entertainment of the novel a welcome jolt of human disquiet. The story often rides on the appeal of well-trodden territory—the characters and magic system feel like variations on familiar fantasy types; the trappings and accessories of steampunk serve as unexamined decoration—but its ingenuous fondness for those comfortable elements and the occasional sacrifice it requires from its characters gives it a charming energy that keeps the pages turning.

A satisfying follow-up that sticks to the comforts of familiar fantasy elements but still offers an entertaining, swiftly moving adventure in the company of Cato’s appealing characters.

Pub Date: June 9, 2015

ISBN: 978-0-06-231398-0

Page Count: 384

Publisher: Harper Voyager

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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