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EVERYBODY INTO THE POOL

TRUE TALES

Light, flippant and savvy.

California performance artist Lisick offers bright, funny takes on her square upbringing in Sunnyvale during the 1970s and 1980s, her adult life in San Francisco’s 1990s counterculture and beyond.

A weekly columnist for the San Francisco Chronicle’s Web site, the author presents herself as “too weird to fit into the mainstream world, the one I came from . . . too normal for the fringe world I found later.” She highlights the contrast between normal childhood and freaked-out adulthood in her account of an annual ladies’ luncheon and Christmas gift exchange at which she appears first as an eager child waitress in 1976, then, in 1991, as a disheveled invitee with a hangover and bad hair bringing a poorly wrapped, last-minute gift. Lisick uses her uneasy stint as a homecoming princess and her appalling first date with a popular jock to create an entertaining glimpse of her high school years. Later, she’s at UC Santa Cruz stuffing $20 bills into her black bustier at a Catholic charities raffle because she needs money for an abortion. It’s darkly funny, and there’s more to come. After college, Lisick travels with an all-female punk-rock troupe named Sister Spit and explores her sexuality with a female construction worker named Trouble. Then, while living with her boyfriend in a San Francisco warehouse that’s flooded by broken sewer pipes, she is forced to move her possessions out in a beat-up shopping cart. When she eventually buys a house in Berkeley, it’s in a rundown, garbage-strewn neighborhood known as Brokely. Such personal disasters, small and large, are the stuff of these memoirs, providing her with the material for her sharp observations and self-deprecation. The final piece finds her a bemused new mother, coping with a drooling and crusty-headed baby boy who’s clad all wrong in pink and yellow. Exaggeration in the interest of a good story is no sin, and Lisick is above all an accomplished storyteller.

Light, flippant and savvy.

Pub Date: July 5, 2005

ISBN: 0-06-077877-6

Page Count: 240

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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