A cozy story that accepts people for who they are, warts and all, and celebrates the hard work that true change requires.
A 28-year-old single mother in London who had a child at 17 starts to make small changes to get out of the rut she's in.
Delphine Jones didn’t mean to get pregnant at 16, but it happened anyway. Now 28, she's still living in the basement flat she grew up in with her father, her mother having died when she was just 13. Only now, she shares the tiny bed and small room with her 11-year-old daughter, Emily Josephine Jones. Delphine is stuck in a life she didn’t expect and cannot see her way out of. Her daughter is the love of her life: precocious, wickedly smart, and loving in all the best ways. But Delphine still can’t quite reconcile the bilingual, piano-playing, top English literature student focused on the future she was with whom she has become: a fired barista scraping money together to try to put dinner on the table. The story follows two streams of Delphine’s life: the year of her love affair with learning and her first boyfriend, which led up to her pregnancy, and the year that the mental fog clears and she starts to reclaim her life with her daughter’s help. Hard work is a given, of course—both emotional and physical. But rather than staying in the box that she has lived in for 12 years, Delphine takes a chance on new things, fun things, and things that have the potential of improving her life and situation for the future. Author Morrey’s second foray into fiction is an uplifting, earnest book with layered, complicated characters.
A cozy story that accepts people for who they are, warts and all, and celebrates the hard work that true change requires.Pub Date: April 5, 2022
ISBN: 978-0-525-54247-6
Page Count: 336
Publisher: Putnam
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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