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WE DISAGREE

No toxic discourse here—Murguia’s rodents model what it means to agree to disagree.

Up with polka dots! Down with prairie dogs! Can’t Mouse and Squirrel agree on anything?

Drums or guitars? Why bother?—humming is obviously better. Mouse (clad in blue polka-dot trousers) loves a clear blue sky, but Squirrel (in a red knit cap) is partial to dark, gray clouds. Who cares if Mouse likes bikes—Squirrel knows that hiking’s the way to go. Tensions rise with each heated exchange of opinions until, faced with their irreconcilable differences, the two rodents march off in a huff. But wait—the frenemies realize, midstep, that being different needn’t be an impediment to friendship, and disagreement doesn’t have to be an inevitable deal breaker. Written as verse for two voices, the text presents Mouse’s upbeat questions and Squirrel’s grumpy rejoinders in an abcb rhyme scheme. The snappy meter, encapsulated in blue and salmon speech bubbles, perfectly reflects the growing frustration between the furry protagonists. Murguia’s gray-toned drawings against expanses of white negative space effectively focus readers’ attention on the silliness of the situation. She comically captures the gradual shift of the aggrieved rodents’ expressions as they transform from benign curiosity to mutual outrage. In this time of destructive divisiveness, Mouse and Squirrel’s journey toward respecting their differences is an important lesson for us all.

No toxic discourse here—Murguia’s rodents model what it means to agree to disagree. (Picture book. 3-7)

Pub Date: Aug. 25, 2020

ISBN: 978-1-5344-3880-4

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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