An exciting start from a fresh talent, offering emotional and political complexity plus plenty of interplanetary action.
An intricate plot for revenge drives this far-future SF political thriller, a debut novel that is also the first of a trilogy.
The planets of the Treble are ruled by the Kindom, a religious order, and the wealthy First Families. Esek Nightfoot, a cruel, vicious, and sociopathically self-interested Cleric and First Family scion, cut off all career opportunities for a brilliant student called Six, challenging them to do something “extraordinary” to impress her into taking them as a novitiate. Six’s “extraordinary” act was to leave school before graduation and begin collecting evidence that exposes the Nightfoots’ complicity in a genocide. Esek has pursued Six for years, often with the uneasy assistance of Cleric Chono, a far more pious person who feels loyalty both to Six, a former schoolmate, and to Esek, who once pulled Chono out of a sexually abusive situation. Their quest eventually leads to Jun Ironway, a gifted hacker who holds a piece of the data implicating the Nightfoots and also has her own dark history with both Esek and Six. Does Esek want to kill Six, as her family’s matriarch demands, or make good on her promise to make them one of her novitiates? Or does she have something else entirely in mind? As the political situation of the Treble becomes more unstable, the chase careens toward a violent and shocking endgame. The narrative jumps around in time, fully filling in past events that are initially referenced in the present-day story. At first this seems unnecessary and confusing, but as several staggering twists emerge, it becomes clear that the choice is utterly necessary and the confusion might actually be the author’s method of obscuring a key revelation. The reader may figure out that revelation before it explodes in the text but will likely be surprised by a good part of what follows. The author also does an excellent job of applying what are typically high fantasy or historical fiction tropes (the tension between religious and secular entities, the unrest over the hereditary passage of power, and the fraught relationship between mentor and student) to high-tech science fiction (perhaps Dune was an influence?).
An exciting start from a fresh talent, offering emotional and political complexity plus plenty of interplanetary action.Pub Date: Oct. 17, 2023
ISBN: 978-0-316-46332-4
Page Count: 464
Publisher: Orbit
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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