An exciting start from a fresh talent, offering emotional and political complexity plus plenty of interplanetary action.
An intricate plot for revenge drives this far-future SF political thriller, a debut novel that is also the first of a trilogy.
The planets of the Treble are ruled by the Kindom, a religious order, and the wealthy First Families. Esek Nightfoot, a cruel, vicious, and sociopathically self-interested Cleric and First Family scion, cut off all career opportunities for a brilliant student called Six, challenging them to do something “extraordinary” to impress her into taking them as a novitiate. Six’s “extraordinary” act was to leave school before graduation and begin collecting evidence that exposes the Nightfoots’ complicity in a genocide. Esek has pursued Six for years, often with the uneasy assistance of Cleric Chono, a far more pious person who feels loyalty both to Six, a former schoolmate, and to Esek, who once pulled Chono out of a sexually abusive situation. Their quest eventually leads to Jun Ironway, a gifted hacker who holds a piece of the data implicating the Nightfoots and also has her own dark history with both Esek and Six. Does Esek want to kill Six, as her family’s matriarch demands, or make good on her promise to make them one of her novitiates? Or does she have something else entirely in mind? As the political situation of the Treble becomes more unstable, the chase careens toward a violent and shocking endgame. The narrative jumps around in time, fully filling in past events that are initially referenced in the present-day story. At first this seems unnecessary and confusing, but as several staggering twists emerge, it becomes clear that the choice is utterly necessary and the confusion might actually be the author’s method of obscuring a key revelation. The reader may figure out that revelation before it explodes in the text but will likely be surprised by a good part of what follows. The author also does an excellent job of applying what are typically high fantasy or historical fiction tropes (the tension between religious and secular entities, the unrest over the hereditary passage of power, and the fraught relationship between mentor and student) to high-tech science fiction (perhaps Dune was an influence?).
An exciting start from a fresh talent, offering emotional and political complexity plus plenty of interplanetary action.Pub Date: Oct. 17, 2023
ISBN: 978-0-316-46332-4
Page Count: 464
Publisher: Orbit
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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