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THE SUMMER OF THE SWANS

With increasing frequency juvenile fiction is contracting to the dimensions of a short story and the endoskeleton (dialogue, stage directions, asides to the audience) of drama—of which the climax to Sara's season of discontent is a good example. For fourteen years she had "loved her sister without envy, her aunt without finding her coarse, her brother without pity." Now that "I'm not anything" (pretty or smart or athletic), ten-year-old Charlie is "retarded" and everyone else is contemptible—especially classmate Joe Melby, suspected of having taken Charlie's prized wristwatch. Then Charlie gets lost and Joe, a gentle knight plus something of a saint, insists on helping Sara find him. Dismayed because she's learned he was innocent, she hesitates over the words to say so, whereupon Joe tells her a story—of a guru who for twenty-eight years has been searching for "some great wise word"—and she gets the point and, smiling, says she's sorry. It's a sublime moment that even finding the terrified Charlie doesn't surpass, nor Joe's invitation to a dance. The book is a succession of clicks that connect, a sparse but acute self-possessing.

Pub Date: March 30, 1970

ISBN: 0142401145

Page Count: 148

Publisher: Viking

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: March 1, 1970

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WONDER

A memorable story of kindness, courage and wonder.

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After being home-schooled for years, Auggie Pullman is about to start fifth grade, but he’s worried: How will he fit into middle school life when he looks so different from everyone else?

Auggie has had 27 surgeries to correct facial anomalies he was born with, but he still has a face that has earned him such cruel nicknames as Freak, Freddy Krueger, Gross-out and Lizard face. Though “his features look like they’ve been melted, like the drippings on a candle” and he’s used to people averting their eyes when they see him, he’s an engaging boy who feels pretty ordinary inside. He’s smart, funny, kind and brave, but his father says that having Auggie attend Beecher Prep would be like sending “a lamb to the slaughter.” Palacio divides the novel into eight parts, interspersing Auggie’s first-person narrative with the voices of family members and classmates, wisely expanding the story beyond Auggie’s viewpoint and demonstrating that Auggie’s arrival at school doesn’t test only him, it affects everyone in the community. Auggie may be finding his place in the world, but that world must find a way to make room for him, too.

A memorable story of kindness, courage and wonder. (Fiction. 8-14)

Pub Date: Feb. 14, 2012

ISBN: 978-0-375-86902-0

Page Count: 320

Publisher: Knopf

Review Posted Online: Dec. 2, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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TILDA TRIES AGAIN

From the Big Bright Feelings series

An accessible entrance into the world of social-emotional skills.

What do you do when the world turns upside down?

Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.

An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)

Pub Date: March 1, 2022

ISBN: 978-1-5476-0822-5

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Dec. 26, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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