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THE DISCOVERY OF THE AMERICAS

The Maestros do a real service here in presenting the more familiar explorers in the context of all the migrations that have populated the Western Hemisphere, beginning with the Ice Age journeys across the land bridge from Siberia to Alaska. Though the information is simply stated, it is lucid, well balanced, and scrupulous in distinguishing conjectures from documented facts and in pointing out the tragic effects of the Europeans' arrival on the Native Americans. The large, profusely illustrated format is handsome; and while Giulio Maestro's depictions of people are merely serviceable, he mixes his media to splendid effect to evoke sweeping landscapes in Newfoundland, the Caribbean, or even a brooding Gobi Desert. Maps; five pages of ``Additional Information'' include a table of dates and a list of early American groups. An outstanding introduction. (Nonfiction. 6-10)

Pub Date: May 27, 1991

ISBN: 0-688-06837-5

Page Count: 48

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1991

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THE SECRET SUBWAY

Absolutely wonderful in every way.

A long-forgotten chapter in New York City history is brilliantly illuminated.

In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.

Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)

Pub Date: March 8, 2016

ISBN: 978-0-375-87071-2

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Dec. 21, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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