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DIAMONDS AND DEADLINES

A TALE OF GREED, DECEIT, AND A FEMALE TYCOON IN THE GILDED AGE

They just don't make characters like this anymore. Kudos to Prioleau for her gallant historical rescue mission.

An outsize, obnoxious, 19th-century self-made millionaire is restored to her rightful place.

Born to a family of "bounders and bankrupts" in New Orleans, her unknown biological mother likely Black, though her biraciality was never acknowledged, Miriam Florence Squier Leslie (1836-1914) clawed her way up the social structure to become an important figure in publishing, managing several magazines she inherited from her third husband, Frank Leslie. She also wrote essays and books. As Prioleau makes clear, class divisions in America were extreme during Leslie's lifetime, which encompassed the Haymarket Riots, the Johnstown flood, and the Great Depression. Yet by deploying her inimitable blend of intellect, drive, greed, sex appeal, deceit, and inferiority complex–fueled snobbery, Leslie leapt the chasm between poor and rich and amassed a huge fortune, largely spent on Gilded Age excess in lodgings, attire, and hospitality. No matter what she did—and she did plenty—this world-class striver was never embraced by the upper crust. She avoided philanthropy, preferring to revile rather than lend a hand to the poor. Yet in a brilliant final stroke that balances her more foolish and despicable choices, she left her fortune to the women's movement, funding the work that helped to pass the 19th Amendment. Prioleau, whose earlier works have focused on great seducers and seductresses, is a perfect biographer of Leslie, who was mentored by no less than Lola Montez in the application of womanly charms. “A self-mythologizer,” writes the author, “she saw herself as the legendary Lilith, the immortal gadfly and moral truant, who defied Adam’s dominion and founded her own paradise, filled with ‘jinn’ lovers and a race of ‘glorious,’ ‘rebellious daughters’ ‘claiming the New World as their special domain.’ ” The author uses anachronistic vocabulary and peppers her sentences with words and phrases quoted from source documents, giving the narrative an amusing period feel.

They just don't make characters like this anymore. Kudos to Prioleau for her gallant historical rescue mission.

Pub Date: March 29, 2022

ISBN: 978-1-4683-1450-2

Page Count: 368

Publisher: Abrams

Review Posted Online: Dec. 8, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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