by Bettany Hughes ‧ RELEASE DATE: Sept. 12, 2017
A panoramic cultural history of a fascinating place.
A deeply researched biography of a legendary city, beginning in prehistory.
For the past four decades, historian and documentary filmmaker Hughes (Research Fellow/King’s Coll. London; The Hemlock Cup: Socrates, Athens, and the Search for the Good Life, 2011, etc.) has had what she calls “a love affair” with Istanbul. Her fascination with the city inspired prodigious research as well as travels throughout the Arab world, Central Asia, and Europe as she engaged in “an archaeology of both place and culture” to chronicle the city’s evolution from Byzantium to Constantinople to Istanbul. Located on the Bosporus, the strait dividing Asia and Europe, in each iteration the city was the center of a coveted trade route, a strategic geopolitical nexus, and a religious mecca for “the world’s most tenacious theocracies,” most notably Sunni Islam. Hughes argues that the city’s development was fueled not only by commercial and political motivations, but also by humans’ “fundamental desire to share ideas.” Religion was prominent among those ideas: in the seventh century, “stakes in the religious game were being raised,” and tolerance among Jews, Christians, and Muslims broke down. Soon, leaders in Muslim territories and Christians in Constantinople engaged in “wars of propaganda and faith.” Power was another idea: commerce in the city included the trade in humans, both as sex slaves and to provide labor after devastating population loss caused by the Black Death in the 14th century. The slave trade flourished, with women “particularly active as dealers.” Many slaves became farm laborers, and the most appealing male and female slaves were pressed into household or harem service. The harem, meaning “sanctuary,” became a site where dynasties and alliances were nurtured. Hughes vividly details both the reality of the harem and its fantastical rendering by Western writers as a place of wonder, licentiousness, and sexual desire. The author’s history teems with individuals and events, sometimes overwhelming her usually lively narrative, especially once she focuses on the Ottoman Empire and its roiling succession of rulers.
A panoramic cultural history of a fascinating place.Pub Date: Sept. 12, 2017
ISBN: 978-0-306-82584-2
Page Count: 856
Publisher: Da Capo
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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