A book that explodes the myths of aging—just as, 30 years ago, Friedan exploded the mirage of the contented housewife. American women's lives changed forever with The Feminine Mystique—and this challenging exploration of aging may do the same for the skyrocketing population of men and women who have hit 60 and can anticipate 20 or 30 more years of living. The problem, Friedan says, is that although only about five percent of people over 65 are in nursing homes and fewer than ten percent ever will be, age is seen—by media, doctors, politicians, academics, even activists on behalf of the aging—as a ``problem,'' a ``plight,'' a time of rapidly decreasing physical and mental faculties. Older people buy into that picture, straining to stay youthful or removing themselves from active participation in society, often by retiring to ``leisure'' communities, whether or not leisure is what they crave. Friedan produces research studies and anecdotal evidence that the ``Third Age'' (after growing up and then generating a family and/or career) may be the age of true creativity—even of evolution. She examines the tragedies of productive lives cut short by early retirement; the new myths of menopause; early preparation for death; and anxious overprotectiveness by family, friends, professionals, and government. In fact, the many resourceful older men and women cited here have found ways not only to sustain rewarding lives but to grow intellectually, emotionally, and even physically (Friedan discusses her own Outward Bound experience at age 60). That America's youth-oriented culture puts its elders on a social ice floe at a time when wisdom, experience, and honed critical faculties are most needed indicates, suggests Friedan, a nation with its priorities sadly skewed. Lengthy and slow to build, but, still, a far-sighted and far- reaching critique that may move the over-60s to reestablish the ``priorities of evolving life...and new visions for our stagnant society.'' (First serial rights to Time and Good Housekeeping)
Pub Date: Sept. 9, 1993
ISBN: 0-671-40027-4
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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