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MY KITCHEN WARS

A memoir by a woman who measures out her life in kitchen utensils, from her father’s orange-juice squeezer to an olive wood spoon used to stir “the stockpot of memories” simmered here. Fussell (The Story of Corn, 1992, etc.) begins with a tour of her kitchen, noting the odd implements in what the French call “the batterie de cuisine,” including crushers, beaters, scrapers and grinders. “Cooking is a brutal business,” she comments, moving on to describe a childhood, if not brutal, at least marked by tragedy and hardship. When she was two, her mother died from ingesting rat poison (“the mouth is the . . . portal to the Other Side,” notes Fussell much later). Moved from the care of loving grandparents into a new home with her father and stepmother, she spent most of the next decade sobbing, until she left for college. There she met and fell in love with then would-be writer Paul Fussell. Characterizing the beginning of her marriage as the “Invasion of the Waring Blenders” (they received two for wedding presents), she discovered sex and lobsters on her honeymoon and chafed at the restraints of being a post-WWII housewife while her husband studied for his Ph.D. Her own postgraduate studies were interrupted frequently as she followed her now professor-husband from university to university, bearing two children and finally settling in Princeton, N.J. There she and other faculty wives were caught in a culture of drinking, sensuous flirtations, and menus with French accents. Her affair with food lasted far longer than her affair with one of her husband’s colleagues. Unable to find a job teaching, she began to write about food, at first in newspapers and then in books. Her marriage ended when she confronted her husband in bed with another man, described in a chapter titled “Cold Cleavers.” Carefully and skillfully written, but curiously unfulfilling, like a rich cassoulet without seasoning. (Author tour)

Pub Date: Oct. 20, 1999

ISBN: 0-86547-577-6

Page Count: 240

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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