An engaging, eclectic examination of the role of beef in the formation of American myth and reality.
Food writer, historian and “full red-blooded carnivore” Fussell (Masters of American Cookery, 2006, etc.) finds beef, specifically steak, to be the most American of foods.
It is, like us, “mobile, improvised, casual, egalitarian, reliable, raw, bloody, and violent,” she writes. Yet within the world of late-19th-century beef production, the fantasy of an autonomous cowboy freely riding the range rounding up the stray calves had little to do with the reality of an industry reliant on technology (the refrigerated railroad cars that transported butchered meat) and the division of labor in its vast meat-packing plants. Today, the author reports, 30 million cattle are harvested each year, held in feedlots holding 100,000 or more steers. They are fed corn—or candy bars, pretzels, whatever is available—quickly slaughtered and dismembered within automated systems, wrapped in Cryovac (which keeps the meat pink no matter its age) and sent to market. It is a secretive, largely unaccountable process that robs us of any sense of human connection with the animals we eat. This troubles Fussell, as does the rush to fulfill America’s insatiable demand for beef that may expose us to such dangers as mad cow disease and the E. coli virus. Her thesis is not new, but the author displays a captivating gift for capturing the essence of places and people. Though she clearly admires maverick ranchers who eschew feedlots and still graze their herds, slaughter and market locally, this is no mere jeremiad against industrialized beef. Fussell explores with humor and obvious pleasure the culture of cattle as well: the rituals of the rodeo, how to buy just the right cowboy hat, the joys of a good steakhouse and a fine steak. She even provides tips on how to cook the perfect steak and shares some favorite recipes she has collected along the way.
An engaging, eclectic examination of the role of beef in the formation of American myth and reality.Pub Date: Oct. 1, 2008
ISBN: 978-0-15-101202-2
Page Count: 416
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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