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ARE YOUR EARS ON YOUR KNEES?

Kohlman's picture book celebrates the differences that make each creature—or person—unique while providing interesting insect facts.

The book opens with a baseball game between Cricket and Grasshopper. When Grasshopper throws a ball that hits Cricket on the knee, he cries, "You hit my ear." Grasshopper is confused until Cricket explains that he hears through his knees and has special teeth on his wings that make him sing. This leads to a series of encounters with other insects in which Grasshopper asks what is different about their bodies. His list of features grows to include Fly tasting through his feet, Ant lifting hundreds of times his body weight and Caterpillar having more muscles than a human. But while Grasshopper finds his friends' abilities interesting, he wonders what makes him special. After a long day of fact-gathering, he returns home and asks his mother what his species can do to distinguish themselves. She reminds him that he can jump 20 times his body length and that a not-too-distant cousin has ears on his knees too. Grasshopper is content with that knowledge and is able to rest easily that night, while listening to Cricket's teeth create a song. The idea that everyone is unique takes on a new dimension in the insect world. The simple story structure and wealth of information will keep readers coming back, excited to commit more of these amazing facts to memory. It would have been beneficial for readers to see Grasshopper discover his uniqueness through his own actions instead of asking his mother for an explanation. The note of parental reassurance is nice, but it makes for a more empowering story when the character and readers have some sense of the discovery first, before the adults step in. A fun way to blend facts about bugs with a classic children's fiction theme.

Pub Date: Jan. 5, 2012

ISBN: 978-1468532340

Page Count: 16

Publisher: AuthorHouse

Review Posted Online: Feb. 28, 2012

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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