written and illustrated by Betty Kreisel Shubert ‧ RELEASE DATE: Dec. 1, 2013
This broad compilation of evolving fashion trends makes for a valuable addition to any reference collection.
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A guide to the evolution of fashion trends of the past two centuries, useful to costume designers as well as amateur and professional genealogists.
Drawing on her decades of experience as a Hollywood costume designer, as well as two years as a columnist for Ancestry Magazine, the author presents a broad overview of 19th- and 20th-century dress. Her book, which targets genealogists, would be especially helpful for nonexperts who may want to learn more about their historic family photographs. Descriptions of each era’s dominant silhouettes, hats, sleeves and fabric details are illustrated by the author’s line drawings, hundreds of which appear throughout the book. These sketches are essential to understanding the difference between a toque and a cloche or the posture produced by the evolving corset in the early 20th century. The author’s deep knowledge of fashion, the book’s greatest strength, is evident in her cataloging of a broad range of men’s, women’s and children’s styles. Tidbits from the history of fashion, such as a re-evaluation of corset measurements that unzips the idea of the 16-inch waist, will also provide the amateur genealogist or costume designer with a window into the past. The book’s forays into social history and analysis, however, are less compelling. Zoot suits are dismissed as a mere outlying trend, and anti-fur activists are criticized for embarrassing fur-wearing women with their attacks. Queen Victoria gets a bit too much credit for changing courtship practices—“Since, as Queen, she had proposed to him, from that time on women in civilized societies decided to choose their own husbands”—and the oft-repeated myth of a “closet tax” driving people to store their clothes in cabinets gets a mention. There’s also, at times, a note of disdain for women who don’t conform to the author’s sense of taste, including derision for sausage curls on older women and frequent references to “fashion die-hards” who embrace trends beyond their prescribed end dates. The descriptions of historic styles and their accompanying illustrations, however, constitute a useful resource that outweighs the book’s shortcomings.
This broad compilation of evolving fashion trends makes for a valuable addition to any reference collection.Pub Date: Dec. 1, 2013
ISBN: 978-0983576167
Page Count: 372
Publisher: Flashback Publishing
Review Posted Online: June 25, 2013
Kirkus Reviews Issue: July 15, 2013
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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