by Betty MacDonald & Anne MacDonald Canham & illustrated by Alexandra Boiger ‧ RELEASE DATE: Oct. 1, 2007
It’s been 50 years since the maternal über-parent’s last new offering of magically effective cures for childhood contretemps, but neither Mrs. Piggle-Wiggle nor her adoring young neighbors (nor their issues) have aged a day in this fresh set—one chapter composed (but never published) by Betty and the rest by her daughter. Despite parental doubts (“But isn’t she very old fashioned? Would she know about modern things like television?”), Mrs. Piggle-Wiggle calmly comes through with a “Just-One-More-TV-Show Cure,” a “Won’t-Brush-Teeth Cure” and five more, sometimes with help from her remarkably capable pets or a bit of magic. The episodes are as cut and dried in structure as ever, and the figures in Boiger’s line-drawn vignettes carry on the antique air, with nary a pair of jeans or T-shirt to be seen. The pattern breaks at the end with a thoroughly splendid party for Mrs. P., thrown by the children and their parents and culminating in a serenade from the whole well-adjusted town—but it’s seeing the picky eaters, bad-mouthers and slovenly youth teased out of their habits that will, as always, draw readers. (Fantasy. 9-11)
Pub Date: Oct. 1, 2007
ISBN: 978-0-06-072812-0
Page Count: 208
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
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