A love story with insights about the economic and social realities for African Americans in the years after emancipation.
In post–Civil War Charleston, an accomplished swindler and a law-abiding tailor pose as a married couple to recover a stolen document.
Raven Moreau and Braxton Steele could not be more different. She’s a fiery Black woman from New Orleans, part of a colorful family of thieves, forgers, and tricksters. He’s a respectable tailor from Boston, heir to a shipping fortune and a pillar of New England’s Black business community. But Braxton’s family history is less straightforward than he imagined. He learns that his father was once a forger who worked with the Moreau family and that he was in love with the beautiful Hazel Moreau, Raven’s mother. Raven and Braxton are both dismayed when an ambitious Pinkerton agent threatens their families and forces them to work together on a mission to recover a stolen copy of the Declaration of Independence. They become domestic servants to a loathsome White woman who wants them to act as if they are enslaved. Inevitably, their daytime ruse leads to late-night passion, and they must both decide whether love is a good enough reason to scuttle their other plans. Either way, they won’t be able to avoid each other now that their parents have rekindled their youthful romance. In this third and final novel of the Women Who Dare series, Jenkins once again invites modern readers into the world of Black Americans in the 19th century. Jenkins’ normally smooth pacing and skillful plot construction are lacking here, making for a choppier reading experience. But don’t miss this book. Her characters are as compelling and richly detailed as always, and she tackles societal issues that are all too relevant today.
A love story with insights about the economic and social realities for African Americans in the years after emancipation.Pub Date: Aug. 23, 2022
ISBN: 978-0-06-286174-0
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Henry fans, rejoice: This is her best yet.
A recently dumped librarian finds herself fake dating her polar opposite.
When Daphne Vincent’s fiance, Peter, dumps her, she’s shocked—but the worst part is that he’s leaving her for his gorgeous best friend, Petra, the woman he’d always told Daphne not to worry about. Now Daphne has to move out of Peter’s home and restart her life in the small Michigan town where she’d moved to be with him. Salvation comes in the form of Miles Nowak, Petra’s ex—he has a tiny spare room in his apartment, and he understands what it’s like to wallow in heartbreak. Daphne feels lucky to have her dream job as a children’s librarian, but other than that, she feels adrift and friendless in Waning Bay—and then she and Miles get invitations to Peter and Petra’s wedding. In a momentary lapse of judgment, Daphne not only says she’ll attend the wedding, but tells Peter she’s dating Miles. It would be the perfect way to show Peter and Petra that they’ve moved on…if only it were true. In the grand tradition of fake-dating romances, Daphne and Miles pretend to be in love, getting to know each other while having various adventures and misadventures. Daphne quickly learns that although she’d dismissed Miles as a pothead with a lack of direction, he’s actually a good time—and a loyal friend. But Daphne knows she needs to get out of Waning Bay, so this fake relationship can’t lead anywhere…can it? Reliable bestseller Henry has written another surefire hit that manages to be dramatic, sexy, and fun. Miles and Daphne have chemistry that leaps off the page, and their will-they-or-won’t-they energy propels the story to its satisfying conclusion. Daphne is an immensely likable character, one whose past realistically informs her current relationships. The world of Waning Bay is charmingly quirky, and Daphne’s co-workers at the library are endearing. As always, Henry’s biggest strength is the sharp, often hilarious dialogue that makes the story a joy to read.
Henry fans, rejoice: This is her best yet.Pub Date: April 23, 2024
ISBN: 9780593441282
Page Count: 400
Publisher: Berkley
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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