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CORK DORK

A WINE-FUELED ADVENTURE AMONG THE OBSESSIVE SOMMELIERS, BIG BOTTLE HUNTERS, AND ROGUE SCIENTISTS WHO TAUGHT ME TO LIVE FOR TASTE

Readers will certainly come away from the book knowing more about wine and likely eager to explore it further, but even...

An 18-month immersion in the study of wine, teaching us not just about what to look for in the glass, but how to experience the world in a new way.

When tech journalist Bosker (Original Copies: Architectural Mimicry in Contemporary China, 2012) went from being an amateur drinker to a professional pusher of wine, she did so in a big way. The self-described “type-A neurotic” and lover of “competition, the less athletic and more gluttonous the better,” decided to see if she could not just become a competent sommelier, but also pass the Certified Sommelier Exam, an event that requires blind tasting, vast theoretical knowledge, and a service test that is “like some weird hybrid of Trivial Pursuit, a ballroom dancing competition, and a blind date.” A job as a “cellar-rat,” where she hauled crates of wine down a dangerous ladder at a New York restaurant, gave her the chance to sample “dozens if not hundreds of wines a week” at tastings held by distributors—and to be “drunk by noon, hungover by 2 p.m.” Bosker made her way into a couple of blind tasting groups, where she met a wine mentor who coached her for the competition; traveled to California to view the production of mass-market wine; talked her way into a wine “orgy” for the mega-rich; and met with the inventor of the “Wine Aroma Wheel,” a “circular chart of six dozen descriptors.” Always perceptive, curious, and entertaining, the author describes her experiences with precision and a wry sense of humor, locating the exact words to evoke even the most insubstantial sensations.

Readers will certainly come away from the book knowing more about wine and likely eager to explore it further, but even those less inclined to imbibe will be intrigued by Bosker’s insights into the nature of smell and taste and the ways training and attention can increase one’s pleasure in them.

Pub Date: March 28, 2017

ISBN: 978-0-14-312809-0

Page Count: 336

Publisher: Penguin

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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