Good fun.
Middle school girls obsessed with fashion will find an entertaining, painless history lesson in this light romp.
Louise, 12, envies her best friend, who is becoming an actual teenager. Worse, her dad has suddenly lost his job, so Louise won’t be going on her much-anticipated trip to France with her classmates. She consoles herself by indulging in her obsession, vintage fashion, at the exclusive traveling vintage-clothing store that has sent her another exclusive invitation. The last time she visited the peripatetic store, she wound up traveling back in time to the Titanic, and she wonders if she can take another trip. Of course she can, winding up in the court of 14-year-old Princess Marie Antoinette just after her marriage to Prince Louis. Louise finds herself in the persona of a Duchess called Gabrielle. The amazing excesses of the court astonish her, as, of course, does the fashion. However, she also learns about the appalling conditions of the people of France and tries to awaken Marie Antoinette to their misery. She remembers the lecture her history teacher gave her class about the French Revolution, but can’t recall just when it happened. Is Louise herself in personal danger? Turetsky delivers her enjoyable history lesson through the eyes of a girl who knows every major and minor fashion designer, a character sure to appeal to her target audience, as will the time-traveling theme. Appealing illustrations aid readers’ imaginations.
Good fun. (Fantasy. 8-12)Pub Date: Sept. 18, 2012
ISBN: 978-0-316-10538-5
Page Count: 272
Publisher: Poppy/Little, Brown
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
Ideas abound, but when the focus shifts from Thomas' determination to take the measure of the house (literally and...
Dies Drear? Ohio abolitionist, keeper of a key station on the Underground Railroad, bearer of a hypercharged name that is not even noted as odd. Which is odd: everything else has an elaborate explanation.
Unlike Zeely, Miss Hamilton's haunting first, this creates mystery only to reveal sleight-of-hand, creates a character who's larger than life only to reveal his double. Thirteen-year-old Thomas Small is fascinated, and afraid, of the huge, uncharted house his father, a specialist in Negro Civil War history, has purposefully rented. A strange pair of children, tiny Pesty and husky Mac Darrow, seem to tease him; old bearded Pluto, long-time caretaker and local legend, seems bent on scaring the Smalls away. But how can a lame old man run fast enough to catch Thomas from behind? what do the triangles affixed to their doors signify? who spread a sticky paste of foodstuffs over the kitchen? Pluto, accosted, disappears. . . into a cavern that was Dies Drear's treasure house of decorative art, his solace for the sequestered slaves. But Pluto is not, despite his nickname, the devil; neither is he alone; his actor-son has returned to help him stave off the greedy Darrows and the Smalls, if they should also be hostile to the house, the treasure, the tradition. Pluto as keeper of the flame would be more convincing without his, and his son's, histrionics, and without Pesty as a prodigy cherubim. There are some sharp observations of, and on, the Negro church historically and presently, and an aborted ideological debate regarding use of the Negro heritage.
Ideas abound, but when the focus shifts from Thomas' determination to take the measure of the house (literally and figuratively), the story becomes a charade. (Mystery. 8-12)Pub Date: Sept. 9, 1968
ISBN: 1416914056
Page Count: 260
Publisher: Macmillan
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1968
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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