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PUNK ROCK KARAOKE

A vibrant, inclusive, feminist, punk-rock homage, guide, and coming-of-age story.

Three punks on the verge of adulthood vow to have a summer they’ll never forget.

Black 19-year-old Ariel Grace Jones loves English punk band the X-Ray Spex, best friends Michele Covarrubias and Gael Certi, moshing in the pit, and playing in their band, Baby Hares. Now it’s the summer after high school, and in between going to—and playing in—as many gigs as possible, everyone’s making plans for the future. The three self-styled misfits grapple with feminist punk ideologies while trying to hold down jobs, support their families, and figure out their futures in a world that feels like a toxic wasteland of labor exploitation. As the trio grow into adulthood and their own aspirations, they deal with the complexities of romance and first-time sex, the ups and downs of both alternative and traditional families, and their changing relationships with oppressive societal beliefs. This impressionistically drawn graphic novel, illustrated predominantly in bright shades of purple, green, and yellow, has a pace as breakneck as a two-minute hardcore song and is a love letter to young punks. With its zine-inspired aesthetic and tone, this debut, which centers gender and racial diversity, welcomes anyone interested in exploring alternative scenes with a feminist-leftist bent. The story closes with a zine highlighting the punk community and values.

A vibrant, inclusive, feminist, punk-rock homage, guide, and coming-of-age story. (Graphic fiction. 14-18)

Pub Date: April 23, 2024

ISBN: 9780593464502

Page Count: 256

Publisher: Viking

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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WALKING IN TWO WORLDS

A thrilling, high-tech page-turner with deep roots.

A teen navigates different worlds: real and virtual, colonized and Indigenous.

In the near-future real world, Bugz’s family has clout in the community—her mom is their first modern-day woman chief, her father’s a highly admired man, and her older brother is handsome and accomplished. Socially awkward Bugz, by contrast, feels more successful in the virtual gaming world of the Floraverse, where she has amassed tremendous power. Yes, her ’Versona has a slimmed-down figure—but Bugz harnesses her passion for the natural world and her Anishinaabe heritage to build seemingly unbeatable defenses, especially her devoted, lovingly crafted Thunderbird and snake/panther Mishi-pizhiw. Cheered on by legions of fans, she battles against Clan:LESS, a group of angry, misogynistic male gamers. One of them, Feng, ends up leaving China under a cloud of government suspicion and moving to her reservation to live with his aunt, the new doctor; they are Muslim Uighurs who have their own history of forced reeducation and cultural erasure. Feng and Bugz experience mutual attraction—and mistrust—and their relationship in and out of the Floraverse develops hesitantly under a shadow of suspected betrayal. Kinew (Anishinaabe) has crafted a story that balances heart-pounding action scenes with textured family and community relationships, all seamlessly undergirded by storytelling that conveys an Indigenous community’s past—and the vibrant future that follows from young people’s active, creative engagement with their culture.

A thrilling, high-tech page-turner with deep roots. (glossary, resources) (Science fiction. 14-18)

Pub Date: Sept. 14, 2021

ISBN: 978-0-7352-6900-2

Page Count: 296

Publisher: Penguin Teen

Review Posted Online: June 23, 2021

Kirkus Reviews Issue: July 15, 2021

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