“Walking is what we did,” Bryson states: 800-plus out of the 2,100-plus miles, and that good sliver is sheer comic travel...
The Appalachian Trail—from Springer Mountain, Ga., to Mount Katahdin, Me.—consists of some five million steps, and Bryson (Notes from a Small Island, 1996, etc.) seems to coax a laugh, and often an unexpectedly startling insight, out of each one he traverses.
It’s not all yuks—though it is hard not to grin idiotically through all 288 pages—for Bryson is a talented portraitist of place. He did his natural-history homework, which is to say he knows a jack-o-lantern mushroom from a hellbender salamander from a purple wartyback mussel, and can also write seriously about the devastation of chestnut blight. He laces his narrative with gobbets of trail history and local trivia, and he makes real the “strange and palpable menace” of the dark deep woods in which he sojourns, the rough-hewn trailscape “mostly high up on the hills, over lonely ridges and forgotten hollows that no one has ever used or coveted,” celebrating as well the “low-level ecstasy” of finding a book left thoughtfully at a trail shelter, or a broom with which to sweep out the shelter’s dross. Yet humor is where the book finds its cues—from Bryson’s frequent trail companion, the obese and slothful Katz, a spacious target for Bryson’s sly wit, to moments of cruel and infantile laughs, as when he picks mercilessly on the witless woman who, admittedly, ruined a couple of their days. But for the most part the humor is bright sarcasm, flashing with drollery and intelligence, even when it’s a far yodel from political sensitivity. Then Bryson will take your breath away with a trenchant critique of the irredeemably vulgar vernacular strip that characterizes many American downtowns, or of other signs of decay he encounters off the trail (though the trail itself he comes to love).
“Walking is what we did,” Bryson states: 800-plus out of the 2,100-plus miles, and that good sliver is sheer comic travel entertainment.Pub Date: May 4, 1998
ISBN: 0-7679-0251-3
Page Count: 288
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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