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I'M A STRANGER HERE MYSELF

Name: I'M A STRANGER HERE MYSELF
Author: Bill Bryson
ISBN: 0-7679-0381-1

NOTES ON RETURNING TO AMERICA AFTER TWENTY YEARS AWAY

by Bill Bryson ‧ RELEASE DATE: May 12, 1999

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Waggish observations on everyday life in the US from bestselling Bryson (A Walk in the Woods, 1998, etc.), a guy who can find the humor in a bag of hammers and, often enough, the lesson too. Returning stateside after decades in Britain, Bryson was tapped to pen a weekly column for the British Mail on Sunday about life in America. What he offered was not a vast systematic picture, but rather quick sketches to reveal what unnerved and exhilarated him upon his return, what appalled him and what made him happy. And that is just what he delivers with these two-to-four-page broadsides, the revelatory minutiae that distinguish the US from all other countries. Take running shoes: “If my son can have his choice of a seemingly limitless range of scrupulously engineered, biomechanically efficient footwear, why does my computer keyboard suck?” He wants to know why a letter in the name of a certain toy company is reversed—“Surely not in the hope or expectation that it will enhance our admiration?”—or whether the executives in that company carry business cards saying “Dick — Me.” There are snorting jabs at the post office and car mechanics and hardware salesmen and, in particular and at length, his own moronic behavior (like “wrapping a rubber band around my index finger to see if I can make it explode” to test his body’s tolerance of extremes). While this collection of almost six dozen pieces has a broad streak of guffaw-aloud humor, there are also occasional, spot-on critiques—as of the patent absurdity, “the zealous vindictiveness” of the US government’s war on drugs—and a lone, touching item on sending his eldest son off to college that is so unexpected and disarming it comes like a blow to the solar plexus. Truly and beguilingly, if you are a jaded resident of the USA, Bryson can rekindle your wonder and delight in the life and land around you.

Pub Date: May 12, 1999

ISBN: 0-7679-0381-1

Page Count: 288

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE BODY
by Bill Bryson

- BOOK REVIEW
THE ROAD TO LITTLE DRIBBLING
by Bill Bryson

- BOOK REVIEW
ONE SUMMER
by Bill Bryson

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.