Bryson is a real traveler, the kind of guy who can be entertained by (and be entertaining about) a featureless landscape...
Just in time for Sydney’s upcoming Olympic games, this travel narrative from veteran wanderer Bryson (I’m a Stranger Here Myself, 1999, etc.) provides an appreciative, informative, and hilarious portrait of the land Down Under.
“And so once more to the wandering road,” declares Bryson—which is music to the ears of his many deserving fans. This time it is Australia, a country tailor-made to surrender just the kind of amusing facts Bryson loves. It was here, after all, that the Prime Minister dove into the surf of Victoria one day and simply disappeared—the prime minister, mind you. There are more things here to kill you than anywhere else in the world: all of the ten most poisonous snakes, sharks and crocodiles in abundance, the paralytic tick, and venomous seashells that will “not just sting you but actually sometimes go for you.” A place harsh and hostile to life, “staggeringly empty yet packed with stuff. Interesting stuff, ancient stuff, stuff not readily explained.” And Bryson finds it everywhere: in the Aborigines (who evidently invented and mastered oceangoing craft 30,000 years before anyone else, then promptly forgot all about the sea), in the Outback (“where men are men and sheep are nervous”), in stories from the days of early European exploration (of such horrific proportions they can be appreciated only as farce), and in the numerous rural pubs (where Bryson learns the true meaning of a hangover). Bryson is still open to wonder at the end of his pilgrimage: the grand and noble Uluru (once known as Ayer’s Rock) reaches right down into his primordial memory and gives it a stir. “I’m just observing that if I were looking for an ancient starship this is where I would start digging. That’s all I'm saying.”
Bryson is a real traveler, the kind of guy who can be entertained by (and be entertaining about) a featureless landscape scattered with “rocks the color of bad teeth.” Fortunately for him and for us, there’s a lot more to Australia than that.Pub Date: June 6, 2000
ISBN: 0-7679-0385-4
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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