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WHY WE NEED SMART GOVERNMENT FOR A STRONG ECONOMY

Vintage Clinton, with provocative if generally evenhanded solutions to the economic crisis and political stalemate plaguing...

The former president and bestselling author comes out swinging on the economic front.

He does so, it seems, a touch reluctantly. Clinton (Giving, 2007, etc.) writes that he had conceived this book but then shelved it several times “because politics is no longer the center of my working life”—and, he continues, “I don’t just want to add another stone to the Democratic side of the partisan scale.” An apolitical, nonpartisan Clinton? Fat chance, and here, with considerable appetite, he tears into the antigovernment opposition, the ones who assert, with Ronald Reagan, that government is part of the problem, if not the problem. Nonsense, Clinton argues: Government has many roles, not least an economic one in assuring that the political and social conditions are fitting to a robust economy. Besides, he writes, despite what that opposition is saying, the recent banking meltdown happened because the banks were overleveraged. The government helped avert a full-scale depression, and the stimulus helped “put a floor under the collapse and begin the recovery.” The opposition—he keeps returning to it—may appear to be antigovernment, but it’s really antitax and antiregulation, two things that simply don’t make sense in the current economic climate. In good political form, Clinton begins with generalities about what a good country this could be and what’s wrong with it—all those antigovernment talking heads, for one thing, who “already have the answers, and the fact that the evidence doesn’t support them is irrelevant.” Happily, though, he moves on to pointed specifics, some honed in policy-wonkish detail—on, for example, relaxing mortgage debt, developing a renewable energy regime and getting small businesses into the exporting game (“This is what Germany does”).

Vintage Clinton, with provocative if generally evenhanded solutions to the economic crisis and political stalemate plaguing the country.

Pub Date: Nov. 8, 2011

ISBN: 978-0-307-95975-1

Page Count: 208

Publisher: Knopf

Review Posted Online: Nov. 8, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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