by Bill Clinton & James Patterson ‧ RELEASE DATE: June 7, 2021
Written by the numbers, but undemanding entertainment.
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A bare-chested hero of a one-time president takes on a slew of very bad jihadis, and the bullets fly.
In office, Clinton lobbed a few cruise missiles at Osama bin Laden and company, to little apparent effect. Now, teamed up with literary industrialist Patterson, his vengeance is more comprehensive. Matt Keating helms the Oval Office. A former Navy SEAL, he has a special bone to pick with Asim Al-Asheed, a sadistic one-time doctor who once crucified a captive SEAL, leaving him to hang for an hour “before the captors grew bored and slit his throat.” Not nice. Holed up in the Libyan mountains, Asim has an eager enabler in a Chinese operative named Jiang Lijun. SEALs close in, bullets are exchanged, a bomb detonates, and Asim’s family members become collateral damage. What’s a bad guy to do? Kidnap Keating’s teenage daughter, of course, but only after Keating is out of office, “a one-term president known to history as the first to lose my job against an insurgent vice president,” Pamela Barnes, who'd never liked him and defeated him in the primaries. As president, Barnes proves less interested in Mel's safety than in politics, so it’s up to Keating to work the phones with Mossad, Saudi intelligence, and the Massachusetts State Police and assemble a crew to find Asim and “separate his brain stem from his spine.” It helps that Melanie, the daughter, knows her way around tactical weapons of various kinds. She’s a tough, resourceful kid, which only serves to tick Asim off even as Jiang woos him with geopolitical calculations and fat bribes. As for Keating, well, he’s the kind of dude given to lines like, “Except for Mel, there are no innocents up there. Armed or unarmed, running away or running toward us, kill ’em all.” Guess how it all ends? There’s scarcely a moment here that can’t be seen from afar: The bad guys sneer and stab, the good guys come riding in to save the day, the sitting president fumes at having been left out of the fun, and the authors throw in genre tropes like so many grenades.
Written by the numbers, but undemanding entertainment.Pub Date: June 7, 2021
ISBN: 978-0-316-54071-1
Page Count: 608
Publisher: Little, Brown and Knopf
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
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SEEN & HEARD
SEEN & HEARD
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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39
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Alice Feeney ‧ RELEASE DATE: Jan. 14, 2025
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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