Some more Mr. Nice Guy is presented for the genial entertainer's army of fans. Of course, there's more fey Coz charm than substance, but that's not really the point when it comes to an amusement concocted more for TV viewers than for bookish folk. The current easy reader from easy writer Cosby follows hard upon his best sellers dealing with fatherhood and with attaining the age of 50. Now the frightening joys and happy frustrations of love and marriage are analyzed effortlessly in a heart-to-heart marked by the surface wisdom of a latter-day, North Philadelphia Judge Hardy. Chronicled is the search of "a wistful boy with a good jump shot and bad skin" for the Holy Grail or, more accurately, a girl. Discussed is Man's guest for "J-O-N-E-S" and Boy's quest to find out just what "J-O-N-E-S" is, anyway. (It seems to have something to do with "S-E-X".) One difficulty in the author's coming to manhood was finding a girl who could appreciate the wonderfulness of John Coltrane, or at least trying to "explain obvious greatness to a foreign sex." Bill's search is finally rewarded with the advent of Camille, his wife, with whom, if the text is to be believed, he swaps dialogue reminiscent of radio's classic Bickersons. There are set pieces about Dad's habit of dropping shoes any old where or leaving the toilet seat up, the male inability to ask directions, methods of sleeping with a wife, and all the comic differences between the two basic models of people. It's a pleasant enough valentine to Mrs. Cosby, but more weight would be even nicer. The nearly unbearable lightness of kidding is the only problem, and an introduction by Alvin Poussaint, M.D., doesn't help at all. It's clearly not meant to be Hedda Gabler or Proustian; it's more Garfield-esque or Peanutsian. Coz has simply handed us another hour or two of the same stuff good sitcoms are made of.
Pub Date: April 22, 1989
ISBN: 385-24664-1
Page Count: -
Publisher: Doubleday
Review Posted Online: May 19, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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